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標題: Titlebook: Adaptions of Western Literature in Meiji Japan; J. Scott Miller Book 2001 Palgrave Macmillan, a division of Nature America Inc. 2001 Ameri [打印本頁]

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書目名稱Adaptions of Western Literature in Meiji Japan影響因子(影響力)




書目名稱Adaptions of Western Literature in Meiji Japan影響因子(影響力)學科排名




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書目名稱Adaptions of Western Literature in Meiji Japan網(wǎng)絡公開度學科排名




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書目名稱Adaptions of Western Literature in Meiji Japan被引頻次學科排名




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書目名稱Adaptions of Western Literature in Meiji Japan年度引用學科排名




書目名稱Adaptions of Western Literature in Meiji Japan讀者反饋




書目名稱Adaptions of Western Literature in Meiji Japan讀者反饋學科排名





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作者: 愛哭    時間: 2025-3-22 09:42
https://doi.org/10.1007/978-3-540-44756-6bouchi Sh?y? (1859–1935) began to translate an American melodramatic novel entitled .. Over the next four years Tsubouchi reworked his literal translation into the serialized newspaper novel . (The Swindler, 1892), which was then reissued as the single-volume novel . (Two Hearts, 1897). The original
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http://image.papertrans.cn/a/image/144549.jpg
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https://doi.org/10.1057/9780230107557America; Japan; novel; translation; Victorian era
作者: Paleontology    時間: 2025-3-23 01:27
Palgrave Macmillan, a division of Nature America Inc. 2001
作者: 手術(shù)刀    時間: 2025-3-23 05:56
him as a Japanese warrior, a Victorian novel reset as oral performance, and an American melodrama redone as a serialized novel promoting the reform of Japanese theater. Written from a comparative perspective, it argues that adaptation (hon‘a(chǎn)n) was a valid form of contemporary Japanese translation t
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作者: 傾聽    時間: 2025-3-23 14:51
https://doi.org/10.1007/978-3-540-44756-6the German Romanticists.. However, as we have seen, even as the era of “unfaithful translation” was winding down in France, it was only beginning in contemporary Japan, and as the three examples we have studied demonstrate, adaptation was about to influence a variety of Japanese literary and visual arts.
作者: 煉油廠    時間: 2025-3-23 22:04
Book 2001 theater. Written from a comparative perspective, it argues that adaptation (hon‘a(chǎn)n) was a valid form of contemporary Japanese translation that fostered creative appropriation across many genres and among a diverse group of writers and artists. In addition, it invites readers to reconsider adaptation in the context of translation theory.
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https://doi.org/10.1007/978-3-540-44756-6s, the latter falling far short, doomed always to “die on removal” or “l(fā)anguish in a foreign soil.” The beauty of originality, he suggests, has much to do with the magical self-generative power of the seed. In contrast, the inferiority of mimicry is rooted in its extra-territorial origin, in its transfer from another place.
作者: micronutrients    時間: 2025-3-24 03:22
hat fostered creative appropriation across many genres and among a diverse group of writers and artists. In addition, it invites readers to reconsider adaptation in the context of translation theory.978-0-230-10755-7
作者: Permanent    時間: 2025-3-24 07:10
https://doi.org/10.1007/978-3-540-44756-6llace at their heads, tore away the abatis and seized the key-point of the fort itself, one man on the Confederate side fought with such tigerish fury, mingled with an icy coolness, that it roused the comment of both friend and foe. The name of this man was Lucian Gleyre.”
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A Visible Poetics: American Dime Novel as Paradigm for Theater Reform,
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Introduction,te these phenomena? This contributory volume “Mortalin Biology: Life, Stress and Death” is a remarkable compilation of the research outcomes on the stress protein mortalin, a member of heat shock 70 family of proteins. The book is unique as it describes mortalin playing essential role in life, stres
作者: commodity    時間: 2025-3-26 01:31
Toward a Theory of Adaptation: , in Meiji Japan,irth and affecting every part of the body happen more often than usually realized, once in every 33 births. The most common, after heart defects, are those of the neural tube (the brain and spinal cord) which happen in as many as one in every 350 births. They have been noted as curiousities in man a
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