標(biāo)題: Titlebook: Actors, Audiences, and Emotions in the Eighteenth Century; Communities of Senti Glen McGillivray Book 2023 The Editor(s) (if applicable) an [打印本頁] 作者: 鳴叫大步走 時(shí)間: 2025-3-21 17:12
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書目名稱Actors, Audiences, and Emotions in the Eighteenth Century讀者反饋
書目名稱Actors, Audiences, and Emotions in the Eighteenth Century讀者反饋學(xué)科排名
作者: 消毒 時(shí)間: 2025-3-21 22:23
2946-5958 onal interaction between actors and audiences depends on an This book offers an innovative account of how audiences and actors emotionally interacted in the English theatre during the middle decades of the eighteenth century, a period bookended by two of its stars: David Garrick and Sarah Siddons. D作者: artless 時(shí)間: 2025-3-22 04:07 作者: 原諒 時(shí)間: 2025-3-22 07:58
Book 2023teenth century, a period bookended by two of its stars: David Garrick and Sarah Siddons. Drawing upon recent scholarship on the history of emotions, it uses practice theory to challenge the view that emotional interactions between actors and audiences were governed by empathy. It carefully works thr作者: 服從 時(shí)間: 2025-3-22 11:23 作者: 救護(hù)車 時(shí)間: 2025-3-22 13:22
https://doi.org/10.1007/978-3-663-07100-6 too. It summarises the origins of empathy theory in the work of Horace and Quintilian and how these ideas were taken up by eighteenth-century theorists. The chapter offers a critique of the cognitive turn in theatre studies, where neuroscientific research has been used to give empathy theory new im作者: Intellectual 時(shí)間: 2025-3-22 20:15
https://doi.org/10.1007/978-3-322-89351-2al” style of acting, it is a reputation built largely by biographers who had their own agendas for promoting the revolutionary nature of their acting. However, Macklin’s notes on acting and Garrick’s correspondence with audience members (together with his satirical .) reveals a theory of character t作者: PAEAN 時(shí)間: 2025-3-22 22:17
https://doi.org/10.1007/978-3-322-89351-2udiences. They acted using a sophisticated system of facial expressions, gestures, and vocal techniques. Key to this system was the ancient idea of decorum which referred not only to actors’ physical and vocal performances but also to how appropriately they interpreted their parts according to chara作者: archaeology 時(shí)間: 2025-3-23 04:37 作者: curettage 時(shí)間: 2025-3-23 08:20 作者: 雕鏤 時(shí)間: 2025-3-23 11:33 作者: 詢問 時(shí)間: 2025-3-23 16:43
Glen McGillivrayExamines how audiences and actors emotionally interacted in the English theatre in the mid eighteenth century.Challenges the view that emotional interaction between actors and audiences depends on an 作者: pessimism 時(shí)間: 2025-3-23 22:00 作者: insightful 時(shí)間: 2025-3-24 01:10 作者: ZEST 時(shí)間: 2025-3-24 05:02
978-3-031-22901-5The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: enchant 時(shí)間: 2025-3-24 09:00 作者: 思想 時(shí)間: 2025-3-24 13:11
Playing to Type,de technical proofs to provide a well-rounded methodology..With nearly 300 problems including hints, answers, and solutions, .Methods of Solving Sequences and Series Problems. is an ideal resource for those learning calculus, preparing for mathematics competitions, or just looking for a worthwhile c作者: 哀求 時(shí)間: 2025-3-24 15:11 作者: ungainly 時(shí)間: 2025-3-24 19:13 作者: 間接 時(shí)間: 2025-3-25 02:19 作者: lymphoma 時(shí)間: 2025-3-25 04:33 作者: conformity 時(shí)間: 2025-3-25 10:38
https://doi.org/10.1007/978-3-663-07100-6er develops these ideas by dividing emotional practices into four categories: . practices, which are used to achieve or prevent different emotional states; . practices, those used successfully to express emotions; . practices, the language used to talk about emotions and bring them into consciousnes作者: 匍匐 時(shí)間: 2025-3-25 14:55 作者: 尖 時(shí)間: 2025-3-25 18:46
https://doi.org/10.1007/978-3-642-12390-0conflict—and actors needed to negotiate this volatility. As this chapter reveals, how audiences performed as diverse emotional communities in eighteenth-century theatres complicates the dominant sentimentalist discourse.作者: antidepressant 時(shí)間: 2025-3-25 20:28
Automorphe Darstellungen der GL2(A),eatre and all that followed? The chapter ends with a detailed analysis of how Georg Lichtenberg experienced Garrick’s Hamlet and reveals how his proximity to the stage and sociable relationships with other spectators mediated his experience of this well-known ‘point’.作者: 彈藥 時(shí)間: 2025-3-26 03:42 作者: FOR 時(shí)間: 2025-3-26 04:29
2946-5958 the emotional practices of audiences and actors alike. It examines how their?public and frequently political interactions were enabled by these spaces.978-3-031-22901-5978-3-031-22899-5Series ISSN 2946-5958 Series E-ISSN 2946-5966 作者: 粘 時(shí)間: 2025-3-26 10:39
Actors, Audiences, and Emotions in the Eighteenth CenturyCommunities of Senti作者: Collected 時(shí)間: 2025-3-26 15:10 作者: 性滿足 時(shí)間: 2025-3-26 19:43
Introduction,ems and 110 homework exercises in number theory with hints aThrough its engaging and unusual problems, this book demonstrates methods of reasoning necessary for learning number theory. Every technique is followed by problems (as well as detailed hints and solutions) that apply theorems immediately, 作者: 歡呼 時(shí)間: 2025-3-26 23:07
Playing to Type, an accomplished female mathematician, achieves this by taking a problem solving approach, starting with fascinating problems and solving them step by step with clear explanations and illuminating diagrams..The reader will find the problems interesting, unusual, and fun, yet solved with the rigor ex作者: 課程 時(shí)間: 2025-3-27 02:19
Regulating and Mobilising Emotions: The Audience, the ultimate strength of the material. The current procedure for predicting the safe loads or safe useful life of a structural member has been evolved around the discipline oflinear fracture mechanics. This approach introduces the concept of a crack extension force which can be used to rank materia作者: 反抗者 時(shí)間: 2025-3-27 08:20
Mediating Emotions in Place,lastic half-space. The method was widely used starting from the 1950s in connection with an intense development of studies in the field of elastodynamics and the necessity of solving a number of applied problems. Important contributions were made by Petrashen’ with his colleagues [4.2] and Pekeris [作者: Observe 時(shí)間: 2025-3-27 09:29 作者: 小爭(zhēng)吵 時(shí)間: 2025-3-27 16:44
Forschungsberichte des Landes Nordrhein-Westfalenhttp://image.papertrans.cn/012/image/101734.jpg作者: 關(guān)節(jié)炎 時(shí)間: 2025-3-27 21:02 作者: 轎車 時(shí)間: 2025-3-27 23:04
Conference proceedings 2016 SmartPerception. These papers discuss the technologies and applications of theGlobal Navigation Satellite System (GNSS), and the latest progress made in theChina BeiDou System (BDS) especially. They are divided into 12 topics to matchthe corresponding sessions in CSNC2016, which broadly covered key
