標題: Titlebook: Acoustic Interculturalism; Listening to Perform Marcus Cheng Chye Tan Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limi [打印本頁] 作者: lexicographer 時間: 2025-3-21 17:46
書目名稱Acoustic Interculturalism影響因子(影響力)
書目名稱Acoustic Interculturalism影響因子(影響力)學科排名
書目名稱Acoustic Interculturalism網(wǎng)絡公開度
書目名稱Acoustic Interculturalism網(wǎng)絡公開度學科排名
書目名稱Acoustic Interculturalism被引頻次
書目名稱Acoustic Interculturalism被引頻次學科排名
書目名稱Acoustic Interculturalism年度引用
書目名稱Acoustic Interculturalism年度引用學科排名
書目名稱Acoustic Interculturalism讀者反饋
書目名稱Acoustic Interculturalism讀者反饋學科排名
作者: 羽飾 時間: 2025-3-21 21:40
Introduction: the Topography of an Acoustic Interculturalism,pelling men to fight were inextricably bound up with constructions of colonizer and colonized, civilized and savage.. The soldiers in Henri Barbusse’s novel . (1917), Wyndham Lewis’s “The French Poodle” (1916), and William Faulkner’s “All the Dead Pilots” (1931) dread the label “womanly,” which the 作者: overhaul 時間: 2025-3-22 00:27 作者: 名次后綴 時間: 2025-3-22 06:41
Acoustic Mimesis: Ethical Cadence and Sonic Violence in ,bst als auch in den Auswirkungen liegt, die diese St?rung auf seine Pers?nlichkeit hat) besteht darin, sich bis zu dem Punkt in den Patienten hineinzuversetzen, an dem sie selbst in ihrem Innern tats?chlich das fühlt, was er fühlt. Demnach sollte sie in der Lage sein, seine Aussagen und seine Ausdru作者: 預感 時間: 2025-3-22 09:05 作者: miscreant 時間: 2025-3-22 15:57 作者: 無王時期, 時間: 2025-3-22 20:44 作者: 征稅 時間: 2025-3-22 23:19 作者: Lament 時間: 2025-3-23 02:45 作者: expeditious 時間: 2025-3-23 06:26 作者: 表示問 時間: 2025-3-23 12:40
Attribution in DaF-übungsgrammatikend over indeterminacy. Interculturalism from the Euro-American axis, rooted in logocentrism, has often been a theatrical practice located in an ontology and presence which inevitably constructs a universalistic . and a paradigm that eradicates difference and indeterminacy; the ‘Other’ is always (pre)作者: 變量 時間: 2025-3-23 17:07
Attribution in DaF-übungsgrammatikenlobal (festival) market that consumes the East as exotic and the West as bizarre. The rise of these ‘Asian’ interculturalisms is testimony to the myopic misperceptions of early intercultural theories about the unidirectional flows from Eastern sources to Western targets as postulated by Patrice Pavi作者: Glucocorticoids 時間: 2025-3-23 18:36
https://doi.org/10.1007/978-3-662-61313-9aches that include, among the previous two, socio-semiotics, ethnomusicology world music theory, and cultural politics, the book has sought to address three key questions that Schafer denotes are necessary for the emergence of a sound culture:作者: 合并 時間: 2025-3-24 01:20 作者: 北京人起源 時間: 2025-3-24 02:26 作者: 腐蝕 時間: 2025-3-24 07:25
The Performativity of Sound and the Soundscapes of Culture,ungen zugrunde liegt. Die Forschungspraxis wird von einem Pragmatismus dominiert, der vor allem im Bereich der Massenkommunikation strukturelle Erkenntnisse zugunsten von Einzelfragen vor allem wirtschaftlicher Interessen verstellt. Die Abh?ngigkeiten vom eigenen Gesellschaftsbild, das meist unbewu?作者: extinct 時間: 2025-3-24 13:54 作者: Plaque 時間: 2025-3-24 16:00 作者: 藝術 時間: 2025-3-24 20:31
,Listening in/to Asia: Ong Keng Sen’s , and the Polyphonies of Asia,cleus should permit a functional assessment of nuclear potential. Similarly, the transfer of foreign cytoplasm will expose the host nucleus to cytoplasmic signals not normally encountered and thus serve to define cytoplasmic controls in development. Since experimental manipulations of this type requ作者: capsaicin 時間: 2025-3-25 01:17 作者: sed-rate 時間: 2025-3-25 05:06
Conclusion: After Authenticity: Naming the Intercultural,ens aufgekl?rt sein und sie beherrschen. Hinsichtlich des bewussten Einsatzes aller sprachlichen M- lichkeiten geht es gar nicht darum, aus einer moralischen Po- tion vor Manipulation zu warnen, sondern darum, sich an die Bedeutung und die Voraussetzungen von Vertrauen und Klarheit zu erinnern. Auf 作者: Bravado 時間: 2025-3-25 08:10
Christian Fandrych,Maria Thurmairitioning of video cameras that capture a circular complimentarity in an anamorphic frame of fractured plywood boards painted with sections of Zeros/Os, metadramatically stages the problems of intercultural performances that seek to locate, present or perform Asia.作者: VOC 時間: 2025-3-25 11:48 作者: 事情 時間: 2025-3-25 18:45 作者: progestin 時間: 2025-3-25 20:33 作者: 尋找 時間: 2025-3-26 02:02
Book 2012Acoustic Interculturalism is a study of the soundscapes of intercultural performance through the examination of sound‘s performativity. Employing an interdisciplinary approach, the book examines an akoumenological reception of sound to postulate the need for an acoustic knowing – an awareness of how sound shapes the intercultural experience.作者: 彎彎曲曲 時間: 2025-3-26 06:51
978-1-349-34628-8Palgrave Macmillan, a division of Macmillan Publishers Limited 2012作者: BANAL 時間: 2025-3-26 08:41 作者: Conclave 時間: 2025-3-26 14:41
https://doi.org/10.37307/b.978-3-503-20544-8ion and adaptation of Other performance traditions. In addition, the narratives of these traditions, often Eastern in origin, are extracted and revised to create an attempted ‘fusion’ with Western theatrical principles or modes that yield new postmodern hybrid products. As Julie Holledge and Joanne 作者: 期滿 時間: 2025-3-26 20:13
Christian Fandrych,Maria Thurmair. Such a trend is rooted in what is recognisably a visual culture where meaning is often constructed, constituted and mediated by what is seen and less of what is heard/listened to. Epistemologies are mediated, accessed, produced and realised by the ocular sense where meaning, information, knowledge作者: legitimate 時間: 2025-3-26 23:19
Attribution in DaF-übungsgrammatikena logocentrism — speech over writing — that regards nature and reality in so far only as it is present. Such an ontology renders any possibility for understanding the non-present/absent as ‘meaningful’ since ontology presupposes an ideal of ‘presence’ and is a paradigm of logic that examines what is作者: CRAFT 時間: 2025-3-27 04:37
Attribution in DaF-übungsgrammatikenks to listen to that which the Self can seek to comprehend through the discourse of (Western musical) language. The ear of the Orient is made deaf to itself, resounded for by sonorities echoed by the Occident. As heard in Mnouchkine’s ., the Orient is distant, past, tradition(al) and pre-modern. Yet作者: contradict 時間: 2025-3-27 07:35 作者: META 時間: 2025-3-27 13:25 作者: exostosis 時間: 2025-3-27 16:18
https://doi.org/10.1007/978-3-662-61313-9But this does not mean our ears are always open’ (‘Open Ears’ 14). A consequence of divine or evolutionary origins, the ‘open ear’ is perhaps the explanation for how we often fail to listen, and listen deeply. Bruce Smith attempts to provide a more scientific definition of what is a frequent linguis作者: 值得 時間: 2025-3-27 17:58
Studies in International Performancehttp://image.papertrans.cn/a/image/143968.jpg作者: 偏狂癥 時間: 2025-3-27 22:56 作者: PHAG 時間: 2025-3-28 05:58 作者: DAFT 時間: 2025-3-28 06:24 作者: Soliloquy 時間: 2025-3-28 10:25
