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標題: Titlebook: A Regulatory Framework for the Art Market?; Authenticity, Forger Anna Bolz Book 2023 The Editor(s) (if applicable) and The Author(s), under [打印本頁]

作者: Malinger    時間: 2025-3-21 18:22
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作者: 潔凈    時間: 2025-3-21 22:15
Book 2023ts...However, this book will be of interest not only to academics, but to everyone interested in questions of authenticity, forgery and connoisseurship. At the same time, one of its main aims is to advocate best practices in the art market and to stress the importance of cooperation among all discip
作者: Indolent    時間: 2025-3-22 00:50

作者: SLAG    時間: 2025-3-22 05:42

作者: Exuberance    時間: 2025-3-22 10:46
Setting the Scene: Approach and Methodology,er than correcting them, focusing on efficient processing and administrative requirements rather than individualized treatment. This crisis must be met with system-level reforms for probation and parole to be effective. We recommend an investment in social services and sentencing reforms that will r
作者: 合乎習俗    時間: 2025-3-22 16:34
Peculiarities of the Art Market,uthwestern American deserts for thousands of years (Lister & Lister, 1983). Nevertheless, Ffolliott and Thorud noted in 1974 that significant amounts of riparian areas had been lost within the state of Arizona and that they then accounted for only 0.4% of the surface area of the state. It is very li
作者: 夾克怕包裹    時間: 2025-3-22 17:38

作者: 發(fā)酵    時間: 2025-3-22 21:26

作者: circumvent    時間: 2025-3-23 02:03

作者: 使習慣于    時間: 2025-3-23 07:14

作者: 重力    時間: 2025-3-23 12:33

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作者: 喧鬧    時間: 2025-3-24 02:44
https://doi.org/10.1007/978-94-017-0721-3o be learned, the book also highlights the need to take the important step of aligning expertise and of standardising methods of authentication to minimise risk and uncertainty in art authentication. The chapter closes by summarising the structure of the volume, which is divided into five substantive chapters.
作者: jocular    時間: 2025-3-24 10:35

作者: 紀念    時間: 2025-3-24 12:03

作者: 分離    時間: 2025-3-24 15:39
https://doi.org/10.1007/978-3-031-18743-8Forgery Schemes; Liability of Art Experts; Connoisseurship and Scientific Research; Best Practices and
作者: effrontery    時間: 2025-3-24 21:45

作者: 整潔    時間: 2025-3-25 00:37

作者: Exploit    時間: 2025-3-25 07:00
Studies in Art, Heritage, Law and the Markethttp://image.papertrans.cn/a/image/142021.jpg
作者: 厭食癥    時間: 2025-3-25 09:35

作者: GIBE    時間: 2025-3-25 13:59
https://doi.org/10.1007/978-94-017-0721-3, the chapter first outlines recent developments, including the advent of NFTs and the tokenisation of art and the question if blockchain technologies can be used as an advanced means of authentication and for democratising art investment. In a second step, the many participants in the art market ar
作者: 不愿    時間: 2025-3-25 19:31

作者: circumvent    時間: 2025-3-25 20:31
Andreas Jungherr,Pascal Jürgensresearch questions that underlie this volume: . In a first step, inefficiency is characterised as prevalent business culture in the art market and the economic puzzle that this inefficiency persists, is discussed. The chapter then evaluates examples of current regulatory schemes and assesses recent
作者: 分散    時間: 2025-3-26 00:15
https://doi.org/10.1057/9781137276773 into recommendations for future proposals for reform such as the introduction of expert authentication boards in the form of umbrella organisations and guidelines for standardised procedures. The chapter concludes with the assumption that there might not be an absolute truth in terms of authenticit
作者: 仇恨    時間: 2025-3-26 05:35
A Regulatory Framework for the Art Market?978-3-031-18743-8Series ISSN 2524-7425 Series E-ISSN 2524-7433
作者: PANIC    時間: 2025-3-26 09:34
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