標(biāo)題: Titlebook: A New Guide to Italian Cinema; Carlo Celli,Marga Cottino-Jones Book 2007 Palgrave Macmillan, a division of Nature America Inc. 2007 cinema [打印本頁(yè)] 作者: Lipase 時(shí)間: 2025-3-21 16:54
書(shū)目名稱(chēng)A New Guide to Italian Cinema影響因子(影響力)
書(shū)目名稱(chēng)A New Guide to Italian Cinema影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)A New Guide to Italian Cinema網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)A New Guide to Italian Cinema網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)A New Guide to Italian Cinema被引頻次
書(shū)目名稱(chēng)A New Guide to Italian Cinema被引頻次學(xué)科排名
書(shū)目名稱(chēng)A New Guide to Italian Cinema年度引用
書(shū)目名稱(chēng)A New Guide to Italian Cinema年度引用學(xué)科排名
書(shū)目名稱(chēng)A New Guide to Italian Cinema讀者反饋
書(shū)目名稱(chēng)A New Guide to Italian Cinema讀者反饋學(xué)科排名
作者: 靈敏 時(shí)間: 2025-3-21 21:35
A New Guide to Italian Cinema978-0-230-60182-6Series ISSN 2635-2931 Series E-ISSN 2635-294X 作者: foppish 時(shí)間: 2025-3-22 02:01 作者: pulse-pressure 時(shí)間: 2025-3-22 06:56 作者: glacial 時(shí)間: 2025-3-22 09:40
https://doi.org/10.1057/9780230601826cinema; film; society; World War II作者: 津貼 時(shí)間: 2025-3-22 13:29 作者: enlist 時(shí)間: 2025-3-22 19:01
Front Matterin the creator: if the creature reveals itself to be monstrous, it is because the creator is essentially monstrous. The idea of monstrosity did not just limit itself to fabulous creatures, but, with the advent and establishment of the Industrial Revolution, with the 1789 Revolution in France, and wi作者: 躺下殘殺 時(shí)間: 2025-3-23 00:21
Italy from Unification to World War I,l and personal vocation, including the most extensive exploration of female creativity in her fiction. It links these with her invocations of uncanny sympathetic communication and with her unprecedented expansion of the boundaries of realism. We already see this in ., where musical allusion dramatis作者: Annotate 時(shí)間: 2025-3-23 03:55 作者: 玷污 時(shí)間: 2025-3-23 08:06
World War II, mean not merely that certain ideas find expression in her fiction, or that her work reflects a particular philosophy, but that she uses her fiction as a means of thinking about philosophical and moral issues. Previous critical studies of the intellectual aspect of her fiction have tended to see her作者: MOTIF 時(shí)間: 2025-3-23 10:33
,Reconstruction and the Late ’40s,she later developed. Probably she never fundamentally altered the radical notions she formulated after 1842 and before 1856. Ideas developed only in her late works are often adumbrated earlier, though she was constantly experimenting, building on past finds in succeeding works. ., and . rework the c作者: 不透氣 時(shí)間: 2025-3-23 15:48
The 1950s,eticence. Though he must have earned a living somehow, his . (1851), . (1856) and . (1857) could hardly have supported him. Late in life, when John Lane asked whether he had been ‘responsible for any anonymous or pseudonymous volume or contributions to periodical literature’, Meredith replied: ‘Noth作者: enchant 時(shí)間: 2025-3-23 21:24
The Early 1960s,eglect of two significant early novels — . . and .. Indeed the dismissal of these works and the identification of the young Gissing’s strength with the description of low-life scenes goes back as far as Meridith, who read . in manuscript.. Where criticism has stressed the significance of these novel作者: 止痛藥 時(shí)間: 2025-3-23 23:03 作者: institute 時(shí)間: 2025-3-24 03:16 作者: Ceramic 時(shí)間: 2025-3-24 09:16 作者: Demonstrate 時(shí)間: 2025-3-24 11:46 作者: BLAND 時(shí)間: 2025-3-24 18:37 作者: 陶器 時(shí)間: 2025-3-24 22:48
Italy from Unification to World War I,es of her characters and yields a fruitful source of analogy with writing — especially with the experience of the woman writer. Music has a privileged relation to the literary here because it offers a focus both for the writer’s experiments and for the reader’s interpretation.作者: 逗留 時(shí)間: 2025-3-24 23:34
,The Fascist Years (1922–43),n Switzerland in 1849, and ended with her departure for Germany with Lewes in 1854. Such evidence as does exist points to a busy life during the five and a half years before she left for Europe. She participated in the social life at Rosehill; she went with the Brays to London, Birmingham and Stratf作者: 悅耳 時(shí)間: 2025-3-25 03:29 作者: CLOT 時(shí)間: 2025-3-25 07:53
,Reconstruction and the Late ’40s,hat she hoped would end in adoption of a more radical position. She suggests as much while working on ., when she writes that her mind works best in her “remotest past,” and that she must work through “many strata” before she can use material gathered in the present (L, III: 128–29). Beginning with 作者: ANTE 時(shí)間: 2025-3-25 14:26 作者: 改革運(yùn)動(dòng) 時(shí)間: 2025-3-25 18:01 作者: 馬具 時(shí)間: 2025-3-25 21:59 作者: Mundane 時(shí)間: 2025-3-26 03:21
The 1980s and 1990s: A Changing Society, from respected ally to wayward neighbor in need of American intervention. This critical edition illuminates the interaction between journalism, public opinion, and U.S. foreign policy at a key moment in the U.S.-Cuban relationship that still reverberates today.978-3-319-88432-5978-3-319-67453-7作者: reserve 時(shí)間: 2025-3-26 07:01 作者: Outwit 時(shí)間: 2025-3-26 08:35
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