標(biāo)題: Titlebook: Guide to O‘Casey‘s Plays; John O’Riordan Book 1984 Palgrave Macmillan, a division of Macmillan Publishers Limited 1984 Britain.history of [打印本頁] 作者: rupture 時(shí)間: 2025-3-21 16:44
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作者: 痛苦一下 時(shí)間: 2025-3-21 23:10 作者: MITE 時(shí)間: 2025-3-22 00:37 作者: ascetic 時(shí)間: 2025-3-22 07:14
(1928): Testament of World War I,n Anstalten her bekannt. Alternativmodelle werden allenthalben erprobt: ‘Pay per view’ und ‘video on demand’ z?hlen zu den werbefreien Varianten der Fernsehfinanzierung. Verschiedene Arten von Schachtelwerbung, von Werbung in der Werbung, mittels ‘product placement’ oder der Koppelung von zwei oder 作者: asthma 時(shí)間: 2025-3-22 10:40 作者: 忍受 時(shí)間: 2025-3-22 14:42
(1934): a Farcical Sketch,h zu fundieren. Der Themenbereich ?Gewalt und Medien“ — pr?ziser ?Gewalt im Fernsehen“ — ist tausendfach untersucht worden, doch die unz?hligen empirischen Variationen zum Thema gingen keineswegs mit einer entsprechend lebhaften Theoriedebatte einher. Im Gegenteil: Nach wie vor lassen sich die meist作者: Affiliation 時(shí)間: 2025-3-22 18:02 作者: 設(shè)施 時(shí)間: 2025-3-22 22:15 作者: 中古 時(shí)間: 2025-3-23 01:31 作者: glamor 時(shí)間: 2025-3-23 06:46
(1946): an Oleograph of World War II,Moran 2006: 9ff, Gershon 2005: 28, Casey et al 2002: 175, Tulloch 2001: 25, Windeler et. al. 2001: 111), die sich für gew?hnlich auf Marktanteile und Publikumszahlen beschr?nkt. Dementsprechend gilt eine Serie gemeinhin als erfolgreich, wenn sie m?glichst viele Zuschauer, insbesondere in der, von We作者: MONY 時(shí)間: 2025-3-23 10:31 作者: Intercept 時(shí)間: 2025-3-23 17:09 作者: Ophthalmoscope 時(shí)間: 2025-3-23 19:04
Viktor Abramov,Richard Kerner,Olga LiivapuuO’Casey’s next play, his familiar two-acter and first acknowledged triumph by the Abbey Theatre, bears witness to the ugly sphere of worsening Anglo-Irish relations and portrays his native Ireland, in support of Yeatsian metaphorical claims, as ‘a(chǎn) fool-driven’ and ‘dragon-guarded land’.作者: Infantry 時(shí)間: 2025-3-24 01:26 作者: 迫擊炮 時(shí)間: 2025-3-24 03:02 作者: 非實(shí)體 時(shí)間: 2025-3-24 08:04 作者: 連接 時(shí)間: 2025-3-24 11:27
Sheeram Shankar Abhyankar,David MumfordIn theme and manner, . resembles .. It is what one of its characters would term an ‘effervesacatin’ substratum of Irish post-Revolutionary society; similarly treated, in fact, to the conceptual world of ., only in miniature. The lighter side of Irish life is accentuated, but with an excoriating wit.作者: 變白 時(shí)間: 2025-3-24 16:53
https://doi.org/10.1007/978-1-349-07093-0Britain; history of literature; literature; play; Seán O’Casey; twentieth century; British and Irish Liter作者: 和音 時(shí)間: 2025-3-24 22:25
Palgrave Macmillan, a division of Macmillan Publishers Limited 1984作者: Inflated 時(shí)間: 2025-3-25 00:26 作者: 錯 時(shí)間: 2025-3-25 05:57 作者: 飾帶 時(shí)間: 2025-3-25 07:46 作者: nerve-sparing 時(shí)間: 2025-3-25 12:07 作者: Glycogen 時(shí)間: 2025-3-25 16:10
https://doi.org/10.1007/978-94-011-1648-0doubtedly the greatest and most successful playwright the Abbey Theatre has produced; and, in the opinion of the directorate themselves, . is ‘a(chǎn) fine play, possibly the best work I have yet done’, he wrote enthusiastically to Macmillan and Company, his publishers.作者: Cubicle 時(shí)間: 2025-3-26 00:04
Algebraic Structures and Operator Calculusvealing a welter of comicality within the confines of the shorter play form. Although brief in compass, they are remarkable instances of sustained, orgiastic comedy, aligning their coat-tails unmistakably in the seamless direction of . and the dramatist’s other related and finely established materpieces of Irish comedy.作者: 去掉 時(shí)間: 2025-3-26 00:21
Mathematics and Its ApplicationsChaplin prewar short’. Providing twenty exhilarating minutes of irrational, inexhaustible fun, it offers cornucopean farce, laden with tipsy extravagance; as rollicking as the drunken disintegration which finalises .. The same dehiscent touches light the fuse of devastating slapstick in the shorter play.作者: 怎樣才咆哮 時(shí)間: 2025-3-26 05:44 作者: 四指套 時(shí)間: 2025-3-26 11:38 作者: noxious 時(shí)間: 2025-3-26 13:36
Nilpotent and solvable algebras,ial, sardonic sketch on the various parties in conflict over Irish politics — Sinn Fein, Free State, and Labour’. By way of explanation, many years later, O’Casey has stated: ‘it was written specifically to show what fools these mortals were in the quarreling factions soaking Ireland in anxiety and 作者: Banister 時(shí)間: 2025-3-26 17:34
Canonical systems in several variables,social relevance a half century and more since it was written. Although, in the judgement of George Jean Nathan in his foreword to .; it is ‘one of the richest tragi?comedies’, the final impression is one of a play steeped in poetic, humorous, baleful outrage, ringing with human compassion and conde作者: HARP 時(shí)間: 2025-3-26 22:06
Introductory Noncommutative Algebra,s with undertones of rich tragicomic farce and vivid, realistic characterisation, carved, of course, in firm naturalistic mould: an etching of slum-life in Northern Dublin suburbs, in a stratification of comicality, suffering and heartbreak, personified by the street Ballad Singers’ cry, forming a c作者: 不發(fā)音 時(shí)間: 2025-3-27 03:11 作者: 痛得哭了 時(shí)間: 2025-3-27 06:51
Algebraic Structures and Operator Calculusvealing a welter of comicality within the confines of the shorter play form. Although brief in compass, they are remarkable instances of sustained, orgiastic comedy, aligning their coat-tails unmistakably in the seamless direction of . and the dramatist’s other related and finely established materpi作者: GREG 時(shí)間: 2025-3-27 12:46 作者: thrombosis 時(shí)間: 2025-3-27 17:09 作者: Pulmonary-Veins 時(shí)間: 2025-3-27 21:19 作者: CUMB 時(shí)間: 2025-3-28 00:20
Mathematics and Its Applicationsdepicting heroism in the postlude of international fratricidal conflict and near-national strangulation: ‘its dialogue ablaze like the leaves of a beechwood in autumn’, comments Trewin in ., and ‘in terms of…. impressions of Britain in her hour of danger, quivering on the edge of death’, notes Wilso作者: generic 時(shí)間: 2025-3-28 05:08
https://doi.org/10.1007/978-3-642-61991-5ave a way’. The result is a superb comedy with tragic overtones — a mixture, as always, of the grave and gay; a challenging mixture of down-to-earth reality though couched in unrealistic terms and encased in its own special forms of magic and laced with erotic fancy and comic raillery. O’Casey’s ori作者: 額外的事 時(shí)間: 2025-3-28 09:39
Theory and reduction of singularities,y known as .) — O’Casey, in a programme-note to his own-styled ‘unconsidered trifle’, chooses to emphasise the light-heartedness of his sophisticated satire by underscoring his belief that: ‘Here is a little play in which there are neither good nor bad judged seriously, with a laugh at the beginning作者: HEW 時(shí)間: 2025-3-28 14:07
https://doi.org/10.1007/978-3-642-92450-7s of reprehensible medical conditions operating at the turn of the century, and afterwards, among dispensaries of the poor and the notorious Red ticket system in Ireland — a method of communication between patient and doctor, and one of many evils condemned by Larkin, Connolly and others alike — tha作者: Flounder 時(shí)間: 2025-3-28 15:33
Minimal Models of Ruled Surfaces,.. Again, the terrain is rural Ireland, where rhetoric is the fire-water of the natives and rank Jesuitry the specific balsam bestowed on a long-suffering population adjusting — though with the occasional glint of a drollish mind — to De Valera’s sinister yet subtle, spiritual blackguardocracy. ‘It’作者: Metamorphosis 時(shí)間: 2025-3-28 20:45 作者: 圓木可阻礙 時(shí)間: 2025-3-29 02:24 作者: 不吉祥的女人 時(shí)間: 2025-3-29 03:50 作者: Isthmus 時(shí)間: 2025-3-29 09:23 作者: 蛛絲 時(shí)間: 2025-3-29 13:38
(1934): a Farcical Sketch,Theoriebildung richtet sich jedoch auf den Rezeptionsprozess (Charlton 1997) und nur in Ausnahmef?llen auf den Zusammenhang von Gewalt und Medien (Theunert 1987). Was somit fehlt und wozu ich mit dieser Studie beitragen m?chte, ist eine Erweiterung der theoretischen Zug?nge zum Thema. Insbesondere g作者: 慢慢流出 時(shí)間: 2025-3-29 17:26
(1940): a Futuristic Extravaganza,1983). Andererseits ist es seit langem unbestritten, da? auch “normale” Fernsehbeitr?ge wie Dokumentationen, Wissenschaftsendungen oder Magazinbeitr?ge das allt?gliche Lernen anregen. Gerade diese Problematik wird aber durch die Unterscheidung von informellem und formellem Lernen angesprochen.作者: 友好關(guān)系 時(shí)間: 2025-3-29 21:05 作者: 急急忙忙 時(shí)間: 2025-3-30 02:51
(1942): a Phantasmagoria of Dublin,chten durchaus mit dem Anspruch, sich politisch zu informieren (Berg/Kiefer 1996): Für den überwiegenden Teil der Bev?lkerung westlicher Industriestaaten sind sie eine der wichtigsten politischen Informationsquellen. Fernsehnachrichten stehen aus politikwissenschaftlicher Perspektive also mindestens作者: Ruptured-Disk 時(shí)間: 2025-3-30 05:54
(1946): an Oleograph of World War II,mit einhergehend die wahrgenommene Güte der Serie – wirkt sich wiederum auf den Marktanteil und die finanziellen Einnahmem?glichkeiten für Produzenten und Sender aus. Diese sind entsprechend bei positiver Publikumsresonanz bereit, die Serie für eine weitere Saison auszustrahlen und unter Umst?nden f作者: 神圣將軍 時(shí)間: 2025-3-30 09:52
(1949): a Mock-Allegorical Fantasy,ark komplexen Charakter dieser Technik begründet, da? der Leser zur Spezialisierung fast gezwungen wird. Ein Lehrbuch mu? ihn daher bis an die Quellen der Vertiefungsm?glichkeit heranführen. Andererseits erschien es unerl??lich, die unverrückbaren Grundlagen des Fern- sehens von heute und morgen in 作者: Vaginismus 時(shí)間: 2025-3-30 15:14 作者: aqueduct 時(shí)間: 2025-3-30 19:11 作者: 我悲傷 時(shí)間: 2025-3-30 22:12 作者: 滲透 時(shí)間: 2025-3-31 04:40
Mathematics and Its Applicationsr Chekhov’s .. Plot is minimal; mood impressionistic and the theme of an heroic life-death struggle culminates in a visionary optimism. Colloquial expression and folk-poetry blend with songs and choruses; and, although humanity’s ‘still, sad music’ is present throughout, the final message is Blakean:作者: Immortal 時(shí)間: 2025-3-31 07:35 作者: minaret 時(shí)間: 2025-3-31 11:45
https://doi.org/10.1007/978-0-585-28003-5erently styled, and though lacking, ultimately, the epic strength of Shaw’s fantasias, it more than compensates for the piquancy of its full-blooded onslaught on national complacency and its vision of a magical Armageddon.作者: 軟弱 時(shí)間: 2025-3-31 15:53 作者: 正面 時(shí)間: 2025-3-31 18:49 作者: 集合 時(shí)間: 2025-3-31 21:57
Canonical systems in several variables,mnation. Lady Gregory, in her ., saw the play as ‘A wonderful and terrible play of futility, of irony, humour, tragedy’. And James Stephens, in a whimsical aside, called it ‘a(chǎn) dote’ of a play. (The reference is included in his ., published in 1974.)作者: Suggestions 時(shí)間: 2025-4-1 04:12
https://doi.org/10.1007/978-3-642-92450-7t exacerbated such conditions. Some of these memories, too, affecting the playwright’s early childhood, are recounted in his first autobiographical book (especially, in the Chapter, ‘The Hill of Healing’), . ..作者: septicemia 時(shí)間: 2025-4-1 07:04
https://doi.org/10.1007/978-3-642-66042-9angiography; diagnosis; heart; surgery; surgical technique; therapy
