派博傳思國際中心

標題: Titlebook: A Directory of Shakespeare in Performance 1970-1990; Volume 2, USA and Ca Katharine Goodland,John O’Connor Book 2010 Palgrave Macmillan, a [打印本頁]

作者: mobility    時間: 2025-3-21 16:23
書目名稱A Directory of Shakespeare in Performance 1970-1990影響因子(影響力)




書目名稱A Directory of Shakespeare in Performance 1970-1990影響因子(影響力)學科排名




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書目名稱A Directory of Shakespeare in Performance 1970-1990網絡公開度學科排名




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書目名稱A Directory of Shakespeare in Performance 1970-1990讀者反饋學科排名





作者: farewell    時間: 2025-3-21 23:30

作者: Aggregate    時間: 2025-3-22 04:14
As You Like itplaced with Tchaikovsky’s ballet, thus effectively blanking out the channels. As fast as one station was switched to the next, only pirouettes and white tutus would fill the screen; the state radio built into each apartment would only be playing what was, to all intents and purposes, the anthem of f
作者: Digitalis    時間: 2025-3-22 06:26

作者: 暗語    時間: 2025-3-22 08:55

作者: BAN    時間: 2025-3-22 16:27
Hamletrsprechende Befunde vor. Auf der einen Seite existiert zwar ein breiter, sich stetig ausdifferenzierender Diskurs im Spektrum qualitativer bzw. nichtstandardisierter Forschungsmethoden (Hitzler/Honer 1997, Thole 1999, Amman/Hirschauer 1997 u. 1999, Honer 1993, Schr?er 1994, Soeffner 1989; Soeffner/H
作者: MORT    時間: 2025-3-22 17:29
Henry IV Part Twopecies relationships in organizations.Uniquely draws from mu.This book argues that qualitative methods, ethnography included, have tended to focus on the human at the cost of understanding humans and animals in relation, and that ethnography should evolve to account for the relationships between hum
作者: condone    時間: 2025-3-23 00:50
Henry VIonswissenschaft und Ethnologie herangezogen. Durch eine komplizierte G?tterhierarchie und verwickelte Abstammungslehre unterscheidet sich Nias merkwürdig vom übrigen Indonesien, das im allgemeinen einfachere Vorstellungen und geradlinigere Abl?ufe in seinen Mythen bevorzugt. Von V?lkern mit hindu-ja
作者: deceive    時間: 2025-3-23 02:59
Henry VIIIicanities in the way, proposed by Lima and Trindade (2009), as a Brazilian cultural background acquired through African ancestral memories, we should not recognize mathematics, which historically claims to itself a privileged place of universality, in these African-based traditional practices. In th
作者: Congregate    時間: 2025-3-23 07:55

作者: Synthesize    時間: 2025-3-23 11:39

作者: 邊緣    時間: 2025-3-23 17:48
King Learat I. as a private University Lecturer in Amsterdam. have tried to teach my pupils. It is intended as a general introduction to ethnomusicology, before going on to the study of the forms of separate music-cultures. I sincerely hope that those, who wish to teach themselves and to qualify in this bran
作者: 老人病學    時間: 2025-3-23 20:16

作者: MUTED    時間: 2025-3-24 00:45
Macbethresent it as the ‘real’ or ‘true’ form of Indian nationalism, to be contrasted with western-inspired, universalist concepts of ‘pseudo-secularist’ nationalists.. Opponents, on the other hand, present it as the very antithesis of ‘real’ or ‘true’ nationalism. That is, if it is acknowledged as meaning
作者: PLAYS    時間: 2025-3-24 05:51

作者: 形上升才刺激    時間: 2025-3-24 07:52

作者: 儲備    時間: 2025-3-24 13:20

作者: gregarious    時間: 2025-3-24 17:42
Love’s Labour’s Lost protean, postdisciplinary space of material/epistemic equity.? This uncompromising, long-overdue critique will be of interest to researchers and students from numerous theoretical backgrounds, including music,978-3-031-15315-0978-3-031-15313-6
作者: Folklore    時間: 2025-3-24 20:54
A Directory of Shakespeare in Performance 1970-1990Volume 2, USA and Ca
作者: 觀察    時間: 2025-3-25 01:11
Front Matterstaffed by teachers who were knowledgeable about the needs of bilingual students and how to attend to them, had more effective programmes and more satisfied students. This paper argues that it is essential to plan for the English language outcomes of M?ori medium students, and that planning should c
作者: 完成才能戰(zhàn)勝    時間: 2025-3-25 04:02

作者: 易發(fā)怒    時間: 2025-3-25 10:53
As You Like itrled while the hopes of communism burned was the coup against Mikhail Gorbachev in 1991; footage of Boris Yeltsin riding triumphant with the tanks through the streets of Moscow did not appear until the struggle was over, Yeltsin was installed, and a new order could be safely announced. It is not onl
作者: Tempor    時間: 2025-3-25 14:24
Coriolanusne social reality. By locating an intrinsic indeterminacy in society, Eisenberg’s perspective precludes total or even substantial understanding and control of our destinies (1992). The historically proscribed, yet socially indeterminate, nature of support encounters gives way to a polyphony of persp
作者: esthetician    時間: 2025-3-25 19:34
Cymbelineed video makers. On-demand films are considered as a space of collaboration and self-representation, that allows to reflect on the potential of fiction, artifice, and montage to render material desires, aspirations, and ideas of the future..978-3-030-78913-8978-3-030-78911-4
作者: LAY    時間: 2025-3-25 22:03

作者: cravat    時間: 2025-3-26 04:12

作者: ornithology    時間: 2025-3-26 05:01
Henry VIIIther epistemic views. To conduct this essay, we bring examples from two African-based practices. One from a . community called Mussuca, located in Sergipe State, and another related to narratives in . ritual in Brazil. Then we try to go through (ethno) mathematics studies with African-based practice
作者: 內向者    時間: 2025-3-26 08:52

作者: Highbrow    時間: 2025-3-26 14:07
King Learheir collaboration the contents have undergone a considerable improvement and enlargement as compared to the original edition issued in 1950 by the Royal Tropical Institute, Amsterdam. under the title ‘Musicologica‘. I have taken care to add many particulars from non-European sources. with the resul
作者: 聲音刺耳    時間: 2025-3-26 20:24

作者: 生命層    時間: 2025-3-26 23:12
Measure for Measureules, and patterns of behaviour related to ethnonationality have been transmitted between the generations.?..Ethnonationality’s Evolution in Bosnia Herzegovina and Macedonia?.will be of interest to students and scholars across a range of disciplines, including sociology, politics, and conflict studies..978-3-030-39191-1978-3-030-39189-8
作者: Pillory    時間: 2025-3-27 02:24
https://doi.org/10.1007/978-4-431-55558-2she sees that new life must replenish old power, and she embraces her daughter-in-law long before Bertram does. She is acted by the finest performer to be seen so far at the festival. Margaret Tyzack, a British actress who has worked with the Royal Shakespeare Company and on television, plays old ag
作者: 發(fā)展    時間: 2025-3-27 06:48
https://doi.org/10.1007/978-4-431-55558-2ual awareness that she most elegantly captured. She was a sweetly acid sweetie, which is no bad definition of Rosalinds territory … I was slightly disappointed in the Orlando of Nicholas Pennell, a good actor making his North American debut slightly miscast and fighting good-naturedly against circum
作者: 我就不公正    時間: 2025-3-27 09:57
https://doi.org/10.1007/978-4-431-55558-2or any of the names were changed. The sea was still close at hand, Aegeon was a merchant of Syracuse, Epheseus was the scene of the action, and Solinus was the Duke of that city. There were a few who found this incongruous and upsetting, but I found that, with the text intact, any discrepancies were
作者: 一個姐姐    時間: 2025-3-27 17:39
Carlos Noceda,Douglas A. SteinmacherThe continuing presence of the people, above all in the later stages, enforced a sense of the body to which Coriolanus was ultimately answerable, and to which he answered… Bedford avoided the truth of irony, and pointed unmistakably to the outcome. In the final scene, the Roman crowd metamorphosed i
作者: 我悲傷    時間: 2025-3-27 19:32

作者: 巨碩    時間: 2025-3-28 01:28

作者: Limerick    時間: 2025-3-28 05:39

作者: Ruptured-Disk    時間: 2025-3-28 08:45

作者: CRP743    時間: 2025-3-28 12:04
Prem Chandra,Enespa,Ranjan Singhns of those struggling for ascendancy, the pitiful falls of others from positions of influence—that of the feisty Katharine of Aragon (Elizabeth Shepherd) above all—made for a more complex, more engaging imaginative environment. The Avon Theatre stage assisted both the spectacle and the scheming. Th
作者: 中止    時間: 2025-3-28 17:37
https://doi.org/10.1007/978-3-030-45971-0, and playing it with very much the same non-psychological attitude Bettis believes the Elizabethans would have. I always think Shakespeare is over-psychologized, over-dressed, says Bettis. We’re not talking about politics, or art. We’re playing it as a succession of scenes, telling a fascinating st
作者: omnibus    時間: 2025-3-28 19:51

作者: 固定某物    時間: 2025-3-29 01:10

作者: 惹人反感    時間: 2025-3-29 03:12
https://doi.org/10.1007/978-981-10-5343-6id show that this enigma was a force rather than a character. He played the Duke as Authority, implacable, apparently capricious, frequently impersonal, inscrutable, and secret, not obliged to offer answers or explanations, morally self-sufficient. Mr. Hutt did not, of course, attempt to play an abs
作者: Keratectomy    時間: 2025-3-29 10:33

作者: endarterectomy    時間: 2025-3-29 15:10

作者: RAGE    時間: 2025-3-29 19:21
https://doi.org/10.1007/978-4-431-55558-2 strength lies. It is not in the young people, despite all their activity, but in the old ones: King Louis, and above all, the Countess Rousillon, Bertram’s mother. With Tanya Moiseiwitsch as designer, a lovely autumnal scene has been devised. A gardener—Lavache, a muted clown—sweeps dead leaves awa
作者: SCORE    時間: 2025-3-29 23:29
Toshiyuki Monma,Itsuo Goto,Kanju Ohsawarst wife, her alternate rage and joy at a messenger s description of his newly acquired second, are models of serio-comic playing, heart and head locked in shrewish battle. She also carefully prepares the groundwork, early, for her essential distrust of Antony s strength, looking ahead to the play’s
作者: 一起平行    時間: 2025-3-30 00:07
https://doi.org/10.1007/978-4-431-55558-2 this Mr. Hutt and his cast were generally successful Unfortunately Mr. Hutt—in conspiracy with his designer, Alan Barlow—elected to set the play in some Ruritania of the 18. century, where ruffs and fluffs shared credence with leather jackets that looked like forgotten time refugees from Hell’s Ang
作者: 幾何學家    時間: 2025-3-30 04:05

作者: 指令    時間: 2025-3-30 08:24

作者: helper-T-cells    時間: 2025-3-30 14:45

作者: NIB    時間: 2025-3-30 19:37
Pablo A. Chong,Efrén Santos-Ordo?ezbout his age. Too, at the first of the play, he rattled off the lines so quickly, some of the words were lost in the rush. Shakespeare’s language requires a subtle pacing—and Mr. Dobie soon worked into the flow of the script. Mr. Dobie has a beautiful speaking voice and a powerful stage presence … H
作者: Adenoma    時間: 2025-3-30 23:42

作者: Obsessed    時間: 2025-3-31 01:19
https://doi.org/10.1007/978-3-030-51358-0you can be old fashioned on an open stage. They have great clashes between rival armies, and a lavish coronation procession in Part II with a real crowd looking on. There is a notably intelligent performance of Henry by Douglas Rain, a King constantly tortured by his realization that his right to th
作者: LAITY    時間: 2025-3-31 07:21
Ajar Nath Yadav,Shashank Mishra,Anil Kumarand clearly, if uninterestingly. The stage is cleared of all unnecessary trappings. The story line is generally clear, even to someone who has had no previous experience with this play or with Shakespeare… In [the first half] of this production we see a Henry who is so preoccupied with the fun times
作者: 畫布    時間: 2025-3-31 09:10

作者: neolith    時間: 2025-3-31 14:13
Prem Chandra,Enespa,Ranjan Singhtharine, Cromwell, Wolsey, and others. While the casting accentuated the resemblances in many cases (Leon Pownall looked like the stout, lively Henry of the 1530s), William Hutt, tall and slender, pretended to none of Wolsey’s pounds. He was a commanding presence nevertheless. He looked magnificent,
作者: 小鹿    時間: 2025-3-31 17:59





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