標(biāo)題: Titlebook: A Corpus of Rembrandt Paintings V; The Small-Scale Hist Ernst Wetering Book 2011 The Editor(s) (if applicable) and The Author(s), under exc [打印本頁(yè)] 作者: fibrous-plaque 時(shí)間: 2025-3-21 18:07
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作者: vasospasm 時(shí)間: 2025-3-21 22:36 作者: CURB 時(shí)間: 2025-3-22 02:11 作者: Explosive 時(shí)間: 2025-3-22 07:32 作者: 失敗主義者 時(shí)間: 2025-3-22 11:02
On quality: Comparative remarks on the functioning of Rembrandt’s pictorial mindion stresses the interaction of the spiritual and the social among the puritans; it asserts the mediation of individual spiritual experience through social exchange. It also allows for an emphasis on the puritans’ common qualities of character, mind and imagination. The puritan impulse — that drive 作者: Cosmopolitan 時(shí)間: 2025-3-22 15:40 作者: xanthelasma 時(shí)間: 2025-3-22 20:51
Rembrandt — Susanna and the Elderssembled’. an idealised locus through strategies of displacement and sublimation, commentators have animatedly exchanged views on the poem’s geographic and psychic .. Sensing that ‘Tintern Abbey’ ‘is an especially difficult work to situate’, Levinson sought to ‘reconstruct’ a ‘scene of composition’ a作者: nitroglycerin 時(shí)間: 2025-3-23 00:51
Pupil of Rembrandt with intervention by Rembrandt — The toilet of Bathsheba (free variant after V 1)on us — life as the word is commonly or vulgarly used, a thing distinct from literature. Relatively, and by contrast with the red blood of this life, Byron’s purely literary judgments may seem pale indeed. After looking over the audience at Covent Garden one evening and seeing there ‘the most distin作者: ESPY 時(shí)間: 2025-3-23 03:54 作者: NAIVE 時(shí)間: 2025-3-23 09:34 作者: 流浪 時(shí)間: 2025-3-23 12:13 作者: nauseate 時(shí)間: 2025-3-23 17:22 作者: cartilage 時(shí)間: 2025-3-23 19:59
Rembrandt and pupil — Joseph’s dream in the stable at Bethlehemties of the human mind.Links theory with practice and providThis accessible textbook hinges on the central assumptions of Cognitive Linguistics and Cognitive Grammar, introducing students to the analytical tools they need to approach Stylistics, an essential area in language analysis.?The author ver作者: 使出神 時(shí)間: 2025-3-24 00:42
Rembrandt — Abraham serving the angelsof .Shuihu Zhuan .present the original narrative mode to the target readership in terms of four narrative elements—voice, commentary, point of view and motif—in different periods of history. It not only validates but also quantifies the differences in strategy-making patterns between translators, as作者: FAZE 時(shí)間: 2025-3-24 04:46
Copy after Rembrandt’s (lost) Circumcision the previous century in the increased popularity of travel on the Continent and the fashion of scenic tourism. Travel was becoming open to more and more sectors of society. In his . (1866),. Anthony Trollope — himself a well-travelled writer — portrays typical globetrotters of his time, such as The作者: 使人入神 時(shí)間: 2025-3-24 08:02 作者: 規(guī)范要多 時(shí)間: 2025-3-24 13:25
International Political Economy SeriesThis chapter, unusual in some respects, is compiled with several interwoven objectives in view, which should perhaps be briefly summarized at the outset:作者: DAMN 時(shí)間: 2025-3-24 16:48
Darshan Vigneswaran,Loren B. LandauOver the course of the Rembrandt Research Project, the project’s investigators were increasingly confronted with problems and questions related to the training of pupils in Rembrandt’s workshop, and with the workshop production that may have been associated with it.作者: 侵略者 時(shí)間: 2025-3-24 20:29
https://doi.org/10.1007/978-3-030-04037-6Gerson first raised questions over the authenticity of this painting in 1968,1 since when various opinions have been voiced in the Rembrandt literature as to whether, and if so, to what extent, Rembrandt was involved in the production of the New York ...作者: Little 時(shí)間: 2025-3-25 01:21
Greening of Industry Networks StudiesAs announced in the entry on . (V 7), an attempt will be made in this entry to gain insight into a complex and as yet insufficiently understood aspect of Rembrandt’s studio practice by comparing and analysing these two paintings. See also Chapter V.作者: engagement 時(shí)間: 2025-3-25 05:22
Ernst WeteringProvides in a thematic approach complete and comprehensive information about Rembrandt’s working methods and the function and meaning of his works.Reveals a profound insight into Rembrandt’s original 作者: 死亡率 時(shí)間: 2025-3-25 10:46
Rembrandt Research Project Foundationhttp://image.papertrans.cn/a/image/140435.jpg作者: mighty 時(shí)間: 2025-3-25 15:36 作者: V切開 時(shí)間: 2025-3-25 16:41 作者: 旁觀者 時(shí)間: 2025-3-25 21:28 作者: electrolyte 時(shí)間: 2025-3-26 01:18
African Histories and Modernities0s. However, both the composition and the . were imitated in Rembrandt’s studio, indicating that . [the birth of Christ]— as the painting was mentioned in the Warrant Book of Frederik Hendrik in 1646 — had an impact on the production of his circle during these years.作者: Dappled 時(shí)間: 2025-3-26 05:59
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature B.V. 201作者: ostracize 時(shí)間: 2025-3-26 10:41 作者: GEAR 時(shí)間: 2025-3-26 15:16
https://doi.org/10.1057/9780230355743ence other than style. In some cases, investigation of the support, the reconstruction of a painting’s genesis, analysis of the relations with other works or with documents concerning its provenance, and other relevant data all add up to a conclusive attribution. Although none of this evidence by it作者: Monocle 時(shí)間: 2025-3-26 18:47 作者: PAEAN 時(shí)間: 2025-3-26 22:18
https://doi.org/10.1007/978-3-030-04037-6ere. This is all the more the case in the Berlin ., since there are strong indications that Rembrandt worked on this painting on and off for nearly a decade. While this had already been suspected for a long time, the research conducted on this painting and described here adds to our knowledge and un作者: Femine 時(shí)間: 2025-3-27 03:56 作者: UNT 時(shí)間: 2025-3-27 06:53
Mathematics, Culture, and the Artsince this is one of those paintings whose authenticity is not in question, the present text will deal primarily with stylistic and pictorial developments. In this context, this amazingly rich, although not very well preserved painting is a key document.作者: AGONY 時(shí)間: 2025-3-27 11:25 作者: Acetaminophen 時(shí)間: 2025-3-27 15:40
Audrey Forson,Laud Inkoom,Kristin Wilsonstion of whether it really was executed by Rembrandt. Weighing the arguments for and against the authenticity of the painting is particularly complicated in this case, largely because considerable areas of the painting are almost inaccessible due to a thick, murkily discoloured layer of varnish. In 作者: blight 時(shí)間: 2025-3-27 19:24 作者: 移植 時(shí)間: 2025-3-28 01:16
Africa and Sustainable Global Value Chainsany doubt as to its authenticity. Arguments derived from the analysis of the painting’s artistic quality and from insight into the role the work played, both in and later beyond Rembrandt’s workshop, converge with the documentary evidence, leading to the certainty that this painting is from Rembrand作者: 偶然 時(shí)間: 2025-3-28 04:55
https://doi.org/10.1007/978-3-030-78791-2dent in works by his pupils and followers. The fact that the original painting from which such works are derived is missing, however, leaves uncertainty surrounding a number of questions: for example, how reliable is the image we have from the derivative works? What place did it occupy in his oeuvre作者: Constant 時(shí)間: 2025-3-28 06:54
African Histories and Modernities0s. However, both the composition and the . were imitated in Rembrandt’s studio, indicating that . [the birth of Christ]— as the painting was mentioned in the Warrant Book of Frederik Hendrik in 1646 — had an impact on the production of his circle during these years.作者: CRASS 時(shí)間: 2025-3-28 12:32
African Histories and Modernitiesse to case. While in many instances the nature of this relationship will never be known, in others it can be pinned down fairly precisely. Analysis of X-radiographs and related drawings can then provide insight into how the genesis and evolution of the paintings in question are interwoven. This is t作者: 寬宏大量 時(shí)間: 2025-3-28 15:43 作者: 粉筆 時(shí)間: 2025-3-28 21:52 作者: 大氣層 時(shí)間: 2025-3-29 00:43 作者: 樹膠 時(shí)間: 2025-3-29 04:02 作者: 殺蟲劑 時(shí)間: 2025-3-29 09:42 作者: 威脅你 時(shí)間: 2025-3-29 14:57 作者: restrain 時(shí)間: 2025-3-29 18:43 作者: 巧思 時(shí)間: 2025-3-29 23:32
Rembrandt — Susanna and the Eldersno doubt due to the poem’s powerfully presentist modality (its timeshifts notwithstanding), and its sense of a real landscape empirically apprehended: ‘The day is come when I again repose / Here, under this dark sycamore’.. Indeed, the debate as to the locus of the poem’s ‘origins’, conducted mainly作者: 褲子 時(shí)間: 2025-3-30 03:54 作者: 關(guān)節(jié)炎 時(shí)間: 2025-3-30 05:25
Rembrandt — Christ and the Woman Taken in Adulteryactivities of a whole community and so might change the very look of the landscape itself. Wealthy, wise, and powerful lords with a long established interest in, and sense of obligation towards, their lands and folk could encourage good farming and soften the blows of famine and disease. Dissolute l作者: 洞穴 時(shí)間: 2025-3-30 11:22
Rembrandt – The Holy Family literature, and wildly extended and metaphorical treatments of sex, a public culture of sexual reference was played out which formed a fundamental part of the growing print culture which characterised the eighteenth century. To some extent its variety can be accounted for by the social class of the作者: visual-cortex 時(shí)間: 2025-3-30 15:30
Pupil of Rembrandt — The Holy Family at nightvisions interacted with other forms of social inequality, such as those between orders (nobility and clergy), between men and women, and those arising from membership of a status-group (the Jews). Dr Rigby‘s discussion of medieval English society is located within the context of recent historical an作者: Magnitude 時(shí)間: 2025-3-30 17:41
Rembrandt or pupil — The Holy Family with painted frame and curtainand distorts creativity not just in the area of linguistic ease but also in the authenticity of the creative voice. This essay, ‘Another Window on the World: English for Creative Expression in the Indian Context’, counters such arguments, arguing that English language in India is uniquely positioned作者: 拍下盜公款 時(shí)間: 2025-3-30 20:59
Rembrandt and pupil — Joseph’s dream in the stable at Bethlehemow writers use the resources of language to create meaning, and how readers interpret texts. It will be of interest to advanced undergraduate and postgraduate students on courses in English Linguistics, as well as those working on other languages and in related areas such as Composition and Creative Writing.?978-3-031-22555-0978-3-031-22556-7作者: HOWL 時(shí)間: 2025-3-31 04:48
Rembrandt — Abraham serving the angels translation skills..The book offers a valuable reference guide for scholars, practitioners, translators and graduate students in the fields of e.g. language, translation, literature and cultural studies, and for anyone with an interest in Chinese classical literature, Chinese-English translation, n作者: 同音 時(shí)間: 2025-3-31 05:42
Copy after Rembrandt’s (lost) Circumcisioneworth had great difficulty in finding a place to stay for her party.. Eighteenth-century travellers to the Continent had enjoyed the Alps in relative solitude. The Victorian John Ruskin, by contrast, found the summits littered with the leftovers of numerous tourists who held picnics while viewing t作者: 戲服 時(shí)間: 2025-3-31 11:16 作者: CRACK 時(shí)間: 2025-3-31 17:18
ed to Rembrandt’s self-portraits, in painting, etching and drawing. Volume V consists of a catalogue and analysis of the so-called small-scale history and genre paintings. That theme was chosen because this typ978-1-4020-5786-1
