標(biāo)題: Titlebook: Writing and Performing Female Identity in Italian Culture; Virginia Picchietti,Laura A. Salsini Book 2017 The Editor(s) (if applicable) an [打印本頁] 作者: Myelopathy 時間: 2025-3-21 18:01
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作者: 行為 時間: 2025-3-21 23:40 作者: configuration 時間: 2025-3-22 01:58
missbraucht werden. Das Problem ist dann, dass der arme Elektrotechnikstudent und seine vielleicht zukünftige Freundin am Nachbartisch mangels Vorbildung im dritten Semester die Differentialgleichung weder verstehen, noch mit der speziellen Rechnung, die damit durchgezogen werden soll, irgend etwas 作者: 條街道往前推 時間: 2025-3-22 06:58
Angela Guisoobelpreise mehr gut sein, so glaubte man am Anfang. Leider, leider, so war es bisher nicht. Das liegt schon einmal daran, dass man fein s?uberlich zwischen Quantendr?hten und Nanodr?hten unterscheiden muss; die einen zeigen Quanteneffekte, die anderen eben nicht, und wo es keinen Quanteneffekt gibt,作者: coddle 時間: 2025-3-22 12:46 作者: Cholagogue 時間: 2025-3-22 15:50
nen Netzwerkanalysatoren versucht man, unter Verwendung nur eines Hochfrequenzgenerators durch geschickte Modulation und Demodulation zu erreichen, dass die hochfrequente Phasen-und Amplitudeninformation in eine niederfrequente Zwischenfrequenz (oder auch Gleichspannungsebene) transformiert wird. Be作者: 睨視 時間: 2025-3-22 18:20
Introduction,e promise of evolving social elasticity in the early twenty-first century. The results are representations of female identity that include critical readings of the female self in cultural production and social discourse to appropriations of the very means of representation.作者: macular-edema 時間: 2025-3-22 23:20
Telling Lives, Staging Silences: Dacia Maraini’s “Biographical” Theaterwomen’s inner and private lives, rather than their well-known public biographies. As a result, Standen concludes, Maraini’s plays exhibit those parts that have been silenced by history and public representation.作者: Gratulate 時間: 2025-3-23 03:25
The Treasure Chest and the Talisman: Writing between Reality and Myth in Maria Giacobbe a woman. Guiso concludes that in both texts Giacobbe showcases an alternative order that authenticates women’s capacity for generating life and their intellectual rereading of public and personal history.作者: 光明正大 時間: 2025-3-23 06:23 作者: BRIEF 時間: 2025-3-23 13:32 作者: aplomb 時間: 2025-3-23 15:47 作者: 效果 時間: 2025-3-23 18:42
Re-appropriation for a New Symbolic Order: The Search for Identity in the Poetry of Armanda Guiducci her essay, “Re-appropriation for a New Symbolic Order: The Search for Identity in the Poetry of Armanda Guiducci, Maria Luisa Spaziani and Oliva Gualtieri Bernardi,” Cuda reveals how these poets reconstruct the symbolic, linking it not to an established male order, but to one that embraces and give作者: aptitude 時間: 2025-3-23 22:15 作者: Minatory 時間: 2025-3-24 04:00
Mina: Narrative and Cinematic Spectacle of the Italian Woman of the 1960ss Paola Valentini writes in “Mina: Narrative and Cinematic Spectacle of the Italian Woman of the Early 1960s,” Mina rejected the model of the . typical of 1950s cinema, as well as the more sexually aware archetype of the late 1960s. Instead, she forged her own identity, one that allowed for an authe作者: 我還要背著他 時間: 2025-3-24 10:08 作者: pineal-gland 時間: 2025-3-24 12:01 作者: 欲望 時間: 2025-3-24 15:33
Telling Lives, Staging Silences: Dacia Maraini’s “Biographical” Theateredrich Schiller (.) and Peter Weiss (.), and depiction of historical female figures. Standen argues that in rewriting the canon, Maraini subverts traditional discourse by evincing what has been absent from the reading of history, namely, women’s voices and points of view and their interpretations of作者: Serenity 時間: 2025-3-24 21:08 作者: spinal-stenosis 時間: 2025-3-25 01:12
Writing History, Trauma, and the (Dis/Re) Appearance of the Body in Cutrufelli’s ,l uses elements of the conventional (male) historical novel, but more importantly extends its focus to consider how history is constructed and remembered. She thus pays particular attention to how the female subject relates to it. Waters concludes that the heroine’s first-person recounting of the se作者: resistant 時間: 2025-3-25 06:38 作者: 冰雹 時間: 2025-3-25 10:58
Space and Sexuation in the , Italian Female Narrativea Giaquinto, and Isabella Santacroce define female subjectivity against the backdrop of the family and within the sociocultural context of major European cities. Cucchiella focuses on such issues as the male-female relationship, the mother-daughter and father-daughter relationships, and violence aga作者: 繼承人 時間: 2025-3-25 13:31 作者: 儀式 時間: 2025-3-25 18:05 作者: 未成熟 時間: 2025-3-25 21:15
The Broken Language of High Poetry: Agency and Emotion in , by Vivian Lamarquerator. He pays particular attention to Lamarque’s manipulation of word and structure as a means of rebelling against gendered expectations and inscribing her identity on an individual as well as social plane.作者: 軍械庫 時間: 2025-3-26 03:58
Re-appropriation for a New Symbolic Order: The Search for Identity in the Poetry of Armanda Guiduccis voice to the female subject. This essay demonstrates how these artists take back or re-appropriate womanhood in order to imbue it with their own vision and display a concreteness that speaks to female experiences.作者: foppish 時間: 2025-3-26 04:26 作者: Cytology 時間: 2025-3-26 11:24
Mina: Narrative and Cinematic Spectacle of the Italian Woman of the 1960sntic self while mirroring the burgeoning sociocultural changes of postwar Italy. The uniqueness of Mina lies in the narrowness of her extraordinary cinematic experience and in the intermediality of her performance as an actor, a performance that fed on the parallel experiences of music and advertising, radio and television.作者: Pastry 時間: 2025-3-26 14:04 作者: PAC 時間: 2025-3-26 17:11 作者: Organonitrile 時間: 2025-3-26 21:58 作者: 技術(shù) 時間: 2025-3-27 04:23 作者: 暫時休息 時間: 2025-3-27 08:59
Italian and Italian American Studieshttp://image.papertrans.cn/w/image/1031370.jpg作者: occult 時間: 2025-3-27 09:49
https://doi.org/10.1007/978-3-319-40835-4Italian literature; Italian cinema; Italian theatre; female identity; gender studies作者: 誘導(dǎo) 時間: 2025-3-27 14:20
978-3-319-82197-9The Editor(s) (if applicable) and The Author(s) 2017作者: DEVIL 時間: 2025-3-27 21:50
Writing and Performing Female Identity in Italian Culture978-3-319-40835-4Series ISSN 2635-2931 Series E-ISSN 2635-294X 作者: 表皮 時間: 2025-3-28 01:12
Virginia Picchietti,Laura A. SalsiniUniquely contributes to our understanding of the legacy of postwar Italian artists across genres by focusing on the representation of female identity.Deepens the critical appreciation of the social im作者: 宏偉 時間: 2025-3-28 03:52 作者: Omnipotent 時間: 2025-3-28 08:05 作者: Guaff豪情痛飲 時間: 2025-3-28 13:58 作者: 完成 時間: 2025-3-28 17:07 作者: Outshine 時間: 2025-3-28 21:12
Angela Guisoerfekte Quantendr?hte auf Kohlenstoffbasis darstellen. Die Quantendr?hte aus dem Reinraum haben eher Probleme mit der Ausbeute (yield) bei der Herstellung; diejenigen, die dann funktionieren, sind aber meist von guter Qualit?t. Physikalische Effekte im Elektronentransport gibt es auf diesen Systemen作者: 含沙射影 時間: 2025-3-29 00:22
Anna Marchioni Cucchiellakann hier demnach nur in dieser sehr eingeschr?nkten Bedeutung gesprochen werden; allerdings k?nnen Umfang und Entwicklung der seew?rtigen Einfuhren zweifellos als der wichtigste Indikator und damit als repr?sentativ für den damaligen Handel insgesamt betrachtet werden.作者: 沒花的是打擾 時間: 2025-3-29 03:36
toren, welche für jede Frequenz neu erfolgen muss, wird in diesem Text als Etablierung der komplexen Messf?higkeit bezeichnet. Es wird gezeigt, dass man für die Etablierung keine bekannten Impedanzstandards ben?tigt. Nach erfolgter Etablierung kann man auch bei einem homodynen Netzwerkanalysator ein作者: Jubilation 時間: 2025-3-29 09:31
Writing and Performing Female Identity in Italian Culture作者: 漂白 時間: 2025-3-29 12:52 作者: GRILL 時間: 2025-3-29 17:07 作者: Bravura 時間: 2025-3-29 22:58
Orientalism in Reverse: Early Muslim Travel Accounts of Britainthe current figure became markedly steep after the late 1940s, mostly due to the aftermath of empire and a post-war demand for manual labour. However, it is important to recognize that Muslims have visited, lived, and worked in Britain for hundreds of years. As Sukhdev Sandhu observes:
