標(biāo)題: Titlebook: Working Women on Screen; Paid Labour and Four Ellie Tomsett,Nathalie Weidhase,Poppy Wilde Book 2024 The Editor(s) (if applicable) and The A [打印本頁] 作者: GALL 時間: 2025-3-21 19:42
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書目名稱Working Women on Screen網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Working Women on Screen被引頻次
書目名稱Working Women on Screen被引頻次學(xué)科排名
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書目名稱Working Women on Screen讀者反饋
書目名稱Working Women on Screen讀者反饋學(xué)科排名
作者: 桶去微染 時間: 2025-3-21 22:59 作者: Outwit 時間: 2025-3-22 03:50
Selling Sunset… and My Postfeminist Sexual Capital: New Sexual Subjectivities in Reality TVed vision of the all-female group of elite agents. In the show, female power is located on the women’s bodies and the success of their private/professional lives. It is this interweaving of the public and intimate spheres that I focus on in this chapter, introducing the idea of “postfeminist sexual 作者: 擔(dān)憂 時間: 2025-3-22 07:21
“Millennial Dumplings” at Work: Women’s Emotional and Aesthetic Navigation of Creative Workplaces inative workforce, through the examination of two US comedy dramas . (2019–2021) and . (2020–). What is considered appropriate for women to look like, and how they are directed to manage their emotions is not without nuance when working in the cultural and creative industries (industries which often i作者: tendinitis 時間: 2025-3-22 11:06 作者: AMPLE 時間: 2025-3-22 15:55
Recuperating Women’s Care Work in 2010s Television Fictions of Nurses and Nursing in the Neoliberal neoliberal imperatives. It interrogates a selection of case study examples of British television fictions of nursing from the 2010s that differently depict nurses’ experiences of managing and negotiating the dilemmas for women of doing care work in a neoliberalised National Health Service. It does 作者: 鼓掌 時間: 2025-3-22 20:27
“I Am the Highest Paid Showrunner in Television!” Shonda Rhimes’ Work and Influence in the Media Indcontemporary moment, women working in television and film are fighting against many social injustices, and Rhimes, through her advocacy work, is a powerful ally in the fourth wave feminist movement. Actor Ellen Pompeo, who stars in Rhimes’ show ., is used as an example in the chapter to unearth the 作者: 南極 時間: 2025-3-23 00:42 作者: brachial-plexus 時間: 2025-3-23 04:19 作者: Osteons 時間: 2025-3-23 08:41
“I Took a Dump on the Glass Ceiling”: ,, Incompetence, and Populist Political Cultureeason written and filmed during the Trump presidency. As the showrunners state, the aim of the show is to explore a political sensibility, rather than drawing explicit direct comparisons between Meyer and Trump. Selina Meyer stands in stark contrast to many of the other (post)feminist heroines of qu作者: 輕率看法 時間: 2025-3-23 09:48
The Maternal Gaze: The Labour of Mothering in exposes several of the failures of heterosexuality, specifically traditional and stereotypical gender roles in the nuclear family—indeed the husband is frequently present in the narrative because of conversations about his lack of presence when he opts out of family life to play video games or take作者: Junction 時間: 2025-3-23 15:22
A Quest for Autonomy: Work and Personal Fulfilment in the Japanese Film m double discrimination in the labour market, due to both their gender and their disability. However, following recent policies aimed at improving access to employment for disabled people, a growing number of media representations are picturing disabled people, including women, at work..The film . (作者: 夸張 時間: 2025-3-23 20:14 作者: 沒有貧窮 時間: 2025-3-23 22:32
Work It, Robot! Exploring Forced Choices of Femininity in , [Ich bin dein Mensch] (Maria Schrader, Gbour market, asking for a re-definition of man/womankind in opposition to human-like machines within society and a “capitalist reading of love”. . centres on 40-something-year-old Alma, a successful researcher, who has devoted her life to her work. Tom (a humanoid robot made to make her happy) comes作者: 破譯密碼 時間: 2025-3-24 04:59
Book 2024porary labour market. The edited collection brings together contributions on Aesthetic Labour; Power, Politics, and Neoliberal Industries; and Sex, Sexuality, and Relationships..Within the context of fourth wave feminism, there has been a new proliferation in the global media landscape of representa作者: reperfusion 時間: 2025-3-24 09:16
Introduction: Work it, Girl!, has been used across a variety of mediums. “Work it, girl!” has been used to indicate enthusiastic support and encouragement in ways that echo the call-and-response interactivity of drag-based, dancehall subcultures.作者: Encephalitis 時間: 2025-3-24 13:58
Recuperating Women’s Care Work in 2010s Television Fictions of Nurses and Nursing in the Neoliberal ood. The chapter begins with an interrogative contextual analysis of the BBC sitcom . (2009–2013), which lampoons NHS managerialism and bureaucracy, and culminates in a case study analysis of the issues raised by the depiction of nursing and care work in the first series of the BBC drama . (2017–).作者: geometrician 時間: 2025-3-24 17:38
The Maternal Gaze: The Labour of Mothering in oy a range of queer theory to analyse the labour of femininity—the protagonist mother with no time to spend on herself is very unlike the glamorous star persona of Charlize Theron who plays her—the labour of childcare, both unpaid mothering and paid nannying, and the illness that occurs in the film because of the toll of such labour.作者: 慌張 時間: 2025-3-24 20:08 作者: 減至最低 時間: 2025-3-25 00:24
978-3-031-49578-6The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: scrape 時間: 2025-3-25 07:03 作者: Biguanides 時間: 2025-3-25 09:08
Ellie Tomsett,Nathalie Weidhase,Poppy WildeExamines screen media representations of women’s participation in the contemporary labor market.Reviews issues that are deeply embedded in neoliberal conceptions of contemporary feminism.Analyzes repr作者: 懶惰人民 時間: 2025-3-25 13:16
Palgrave Studies in (Re)Presenting Genderhttp://image.papertrans.cn/w/image/1030971.jpg作者: Intercept 時間: 2025-3-25 18:27
https://doi.org/10.1007/978-3-031-49576-2Media representation; Women on screen; Women and work on screen; Representation of working women; fourth作者: 閃光你我 時間: 2025-3-25 21:46
upgrade to the Guidelines for Clinical Research Using Human Stem Cells to the Act on the Safety of Regenerative Medicine and the introduction of a new category, cellular- and tissue-based products, under the Revised Pharmaceutical Affairs Law or Pharmaceuticals and Medical Devices Law. We have obtai作者: 有幫助 時間: 2025-3-26 04:03
Ellie Tomsett,Nathalie Weidhase,Poppy Wildefrom low-level Ad receptor expression and/or anatomical barriers, including extracellular matrix surrounding tumors, have established a great need for research to further improve existing Ad vectors and unravel their true therapeutic potential as anticancer agents. This chapter reviews and discusses作者: cardiovascular 時間: 2025-3-26 04:23 作者: 全神貫注于 時間: 2025-3-26 11:29
Ellie Tomsettnimized via appropriate and timely interventions described herein such that the majority can be treated safely. Additional issues including prolonged cytopenias, on-target but off-tissue B-cell cytotoxicity and resulting aplasia and hypogammaglobulinemia, the theoretical development of replication-c作者: 殺菌劑 時間: 2025-3-26 14:08 作者: 防銹 時間: 2025-3-26 20:07 作者: 討好女人 時間: 2025-3-26 22:08
Adelina Mbinjama,Sisanda Nkoala kind of general control systems: this book aims to give a solution to this problem. This book?will be?useful for both beginners and experts who are interested in optimal control theory for stochastic evolution equations.978-3-319-06631-8978-3-319-06632-5Series ISSN 2191-8198 Series E-ISSN 2191-8201 作者: PRE 時間: 2025-3-27 01:19
Poppy Wildegue by analogy from the history of science that if a GST* could be developed it would be highly valuable, and show that its existence is predicated on the assumption of a philosophical framework called the General Systems Worldview (GSW). We present an argument that development of the General System作者: 棲息地 時間: 2025-3-27 08:20 作者: Malfunction 時間: 2025-3-27 11:16 作者: 濃縮 時間: 2025-3-27 14:53 作者: Chipmunk 時間: 2025-3-27 19:05
Anne-Lise Mithoutat of a Hamiltonian variational principle in the absence of dissipation. Such approaches allow one to exhibit a strict analogy with the equations that govern generalized, purely mechanical, continua such as micropolar or oriented media in the manner of the Cosserat brothers or Eringen, by introducin作者: 系列 時間: 2025-3-28 01:18
Louise Coopeynctions has a simple form. In contrast to Rieck and Nedelman (2008) and Jones and Pewsey?[.], who apply the .transformation and .transformation, respectively, to the classical Gaussian distribution, this chapter is dedicated to . and .transformed hyperbolic secant distributions which are the subject作者: grieve 時間: 2025-3-28 02:45
MBE) and a member of the Tissue Engineering International & Regenerative Medicine Society (TERMIS)-Asia Pacific Council.978-3-642-53922-0978-3-642-53923-7Series ISSN 2193-097X Series E-ISSN 2193-0988 作者: N防腐劑 時間: 2025-3-28 07:36
intuitionistic fuzzy soft topological space (IVIFS topological space)” together with intuitionistic fuzzy soft open sets (IVIFS open sets) and intuitionistic fuzzy soft closed sets (IVIFS closed sets).978-81-322-3441-8978-81-322-2458-7Series ISSN 1434-9922 Series E-ISSN 1860-0808 作者: 失敗主義者 時間: 2025-3-28 14:19 作者: 束以馬具 時間: 2025-3-28 17:48 作者: Ventricle 時間: 2025-3-28 19:06 作者: Sad570 時間: 2025-3-29 00:28
Selling Sunset… and My Postfeminist Sexual Capital: New Sexual Subjectivities in Reality TVilton in Sexualities 15:815–33, 2012). I argue the representation of these female agents centres their use of postfeminist sexual capital, which works to bring success, or failure, to them. In this regard, the postfeminist sexual capital emerges as a double-edged sword which can accentuate neolibera作者: 使迷惑 時間: 2025-3-29 06:28
“Millennial Dumplings” at Work: Women’s Emotional and Aesthetic Navigation of Creative Workplaces inrsects with gender).?This chapter will consider firstly, how the selected comedy dramas represent contemporary creative workplaces (journalism and video games design) and their gendered dynamics, and secondly, how the women protagonists’ embodied experiences of their workplaces are used within the n作者: Affectation 時間: 2025-3-29 08:59 作者: Sad570 時間: 2025-3-29 14:39
“I Am the Highest Paid Showrunner in Television!” Shonda Rhimes’ Work and Influence in the Media Indh a discourse analysis of several of Rhimes’ recorded acceptance speeches from 2017/2018, this chapter critically considers the intersections of race and gender that impact on the paid labour of women in television. Specific focus is placed on Rhimes’ choice of language and how she engages with acts作者: regale 時間: 2025-3-29 16:24 作者: 阻擋 時間: 2025-3-29 22:53 作者: 領(lǐng)先 時間: 2025-3-29 23:52
“I Took a Dump on the Glass Ceiling”: ,, Incompetence, and Populist Political Cultureomen have been constructed as saviours of democracies in crisis. . does not offer the same illusion of empowerment that other quality television shows offer. .’s gender and workplace politics can thus be understood as a critique of the narrative of the White woman saviour and demonstrate the limitat作者: invade 時間: 2025-3-30 07:08 作者: FLORA 時間: 2025-3-30 08:13
Representing Sex Workers: The Experiences of Shae, Ros and Daisy in , (2011–2019)ty and provide an insight into the intersection of sex work, exploitation and the wider political climate. In this chapter, I explore the representations of Shae, Ros and Daisy, utilising a close textual reading of key scenes in conjunction with Phipps’ inclusive feminist framework to highlight the 作者: 故意 時間: 2025-3-30 12:36 作者: 白楊 時間: 2025-3-30 18:02
