標(biāo)題: Titlebook: Word Art + Gesture Art = Tone Art; The Relationship Bet Hanns-Werner Heister,Hanjo Polk,Bernhard Rusam Book 2023 The Editor(s) (if applicab [打印本頁] 作者: analgesic 時(shí)間: 2025-3-21 16:42
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書目名稱Word Art + Gesture Art = Tone Art讀者反饋學(xué)科排名
作者: 高歌 時(shí)間: 2025-3-22 00:15
978-3-031-20111-0The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 職業(yè)拳擊手 時(shí)間: 2025-3-22 02:05
http://image.papertrans.cn/w/image/1030705.jpg作者: 神化怪物 時(shí)間: 2025-3-22 06:39 作者: Goblet-Cells 時(shí)間: 2025-3-22 08:46 作者: 蘑菇 時(shí)間: 2025-3-22 14:07 作者: Rotator-Cuff 時(shí)間: 2025-3-22 19:16 作者: Implicit 時(shí)間: 2025-3-23 01:00
Lasse Jens Fankh?nelackets produce better coefficients of restitution compared to oval and round ones. It is recommended that the racket design consist of low string tension, stiffer racket shafts and bigger head size in order to produce higher shuttlecock speed..978-3-319-21734-5978-3-319-21735-2Series ISSN 2191-530X Series E-ISSN 2191-5318 作者: GROG 時(shí)間: 2025-3-23 04:28 作者: 抓住他投降 時(shí)間: 2025-3-23 09:12 作者: Allowance 時(shí)間: 2025-3-23 11:16
Wieland Reichomputers and safeguard our data—just like wearing a seat belt, installing smoke alarms,and putting on sunscreen...Author Carey Parker has structured this book to give you maximum benefit with minimum effort. If you just want to know what to do, every chapter has a complete checklist with step-by-ste作者: 拒絕 時(shí)間: 2025-3-23 14:24
Michael Kerstanotect our computers and safeguard our data—just like wearing a seat belt, installing smoke alarms, and putting on sunscreen...Author Carey Parker has structured this book to give you maximum benefit with minimum effort. If you just want to know what to do, every chapter has a complete checklist with作者: Little 時(shí)間: 2025-3-23 21:47
ty of Chicago Law School `This is a monumental work, demystifying the Japanese economy and contesting the conventional view that `Japan is different‘. In doing so, Professor Miwa paves the way for a new era of comparative study.‘ - Kazuo Koike, Hosei University, Tokyo `Professor Miwa, no longer an enfant terr978-1-349-39304-6978-0-230-37146-0作者: 尖酸一點(diǎn) 時(shí)間: 2025-3-23 22:57
Alexandra Nú?ez,Jonathan Reich physically separate locations. The impact on regional development of changes in agglomeration economies is then divided into two parts: economic elements and social infrastructure elements. Economic infrastructure elements that are relevant to industrial location are conventionally understood to be作者: neutrophils 時(shí)間: 2025-3-24 05:50
Hans Krauss/Petrov–Galerkin (SUPG) formulation, characteristicformulation, and Arbitrary Lagrangian–Eulerian (ALE) formulation and others arepresented with practical results solved by those methods.978-4-431-56657-1978-4-431-55450-9Series ISSN 2198-350X Series E-ISSN 2198-3518 作者: Ptosis 時(shí)間: 2025-3-24 06:43 作者: 悶熱 時(shí)間: 2025-3-24 12:13 作者: gospel 時(shí)間: 2025-3-24 15:37 作者: indubitable 時(shí)間: 2025-3-24 20:00 作者: reflection 時(shí)間: 2025-3-25 00:14
Music in Cognitive Evolution: Mimesis and the Evolving Domain of Auditory Intersubjectivityhe least, its origins are not simple to trace. Music is not mandatory or culturally universal in any single aspect, and is seldom conceived as central to human nature, in the manner of, say, language, erect posture, or bipedal locomotion. Moreover, music is not ineluctably dependent on technology ei作者: 充氣女 時(shí)間: 2025-3-25 03:59
Correspondence and Contradiction: Functions and Interactions of Spoken and Body Languagehe brain, two different survival strategies, which interact. The words symbolize the dominant Spanish culture, while the body language (which often contradicts the words) expresses the suppressed but cherished Quechua culture. The second example, this time taken not from natural language but from ar作者: 大火 時(shí)間: 2025-3-25 10:06
Prosody and Body Language—Paralinguistic Components in Political Communication. Vocal and/versus Insty. The non-verbal utterances gain a higher credibility compared to verbal utterances when contradictions or uncertainties occur. They can be understood by all viewers regardless of their level of education or information. The practical examples show above all whether a politician appears authentic 作者: exercise 時(shí)間: 2025-3-25 15:08 作者: 枯萎將要 時(shí)間: 2025-3-25 18:47 作者: 收到 時(shí)間: 2025-3-25 23:51
Athematicism and Staged Meaning. Microtonality in Alois Hába’s Opera ,, op.?35hematicism and microtonality as difficult-to-grasp music do not hold when investigating his vocal compositions. Instead, this paper argues that the intermedial combination of music, libretto, and stage creates new levels of meaning beyond mere instrumental music. Staging athematicist and microtonal 作者: tendinitis 時(shí)間: 2025-3-26 00:41 作者: analogous 時(shí)間: 2025-3-26 05:06 作者: 閹割 時(shí)間: 2025-3-26 08:53
“We Drummed It into Them so They Can Go Whistle for It!”—Non-vocal Forms of Communication in Oto-Mann in the state of Oaxaca, Mexico. As for the question of how the vocal and the instrumental relate to whistled and drummed languages, we arrive at the following conclusion: Since they are always based on spoken language, whistled and drummed languages exhibit an intimate relationship to the vocal. T作者: 難解 時(shí)間: 2025-3-26 16:02
Singing and Sounds. Highlights in Chinese Culture. (mouth-organ & oboe) Daoists are in charge of delivering ritualistic scriptures and liturgy. The author often compares their music to Bach ‘s pieces he performed as a violinist in British orchestras. Incidentally, the equal temperament was simultaneously discovered in China and Europe. Jones is ve作者: FANG 時(shí)間: 2025-3-26 18:22
Book 2023p between the vocal and instrumental, and eventually about the origins of music, arts, and language.It offers new perspectives on the intertwining between the vocal and the instrumental, specifically in the context of the expressions of human languages. At the same time, this book aims at clarifying作者: Arteriography 時(shí)間: 2025-3-26 23:39 作者: chandel 時(shí)間: 2025-3-27 01:57
Music in Cognitive Evolution: Mimesis and the Evolving Domain of Auditory Intersubjectivitys a phenomenon that is unique to the human species, and that claim is defensible when music is defined in a way that excludes such phenomena as birdsong, whale vocalization, wolf howls, and other quasi-musical forms of animal communication. This necessarily shifts the focus away from innate auditory作者: obstinate 時(shí)間: 2025-3-27 06:28 作者: cortisol 時(shí)間: 2025-3-27 09:51 作者: 突襲 時(shí)間: 2025-3-27 15:16 作者: 黑豹 時(shí)間: 2025-3-27 18:12
Cantabile and the Opposite in Trumpet Melodies and to pure instrumental music. The adoption of vocal quotations or the imitation of speech or song has an influence on the semantization of instrumental music, and correspondingly on the function of the trumpet in orchestras and ensembles. In the context of the instrument’s evolution, motivic ster作者: PANT 時(shí)間: 2025-3-28 01:52 作者: Grievance 時(shí)間: 2025-3-28 02:16
How Franz Liszt Imparts Singing and Speaking on the Pianorst half of his mature production, c. 1830–1860, he assembled more than a hundred piano transcriptions of his own songs, and even more by other composers, as well as concert paraphrases of operas. These arrangements were meant for his personal use in concerts; however, their careful notation suggest作者: LAST 時(shí)間: 2025-3-28 09:49
Love, Death, and Rhetoric. Meaningful Textual-Musical and Vocal-Instrumental Relationships in Giuseptions between vocal music and instrumental music—, Giuseppe Verdi’s opera . is analyzed from the point of view of the main figures of classical rhetoric, especially tropes. All musical numbers of the work are scrutinized in view of the explicit and implicit use of rhetorical devices by the composer,作者: –FER 時(shí)間: 2025-3-28 13:53 作者: Adherent 時(shí)間: 2025-3-28 16:55
Normative, Descriptive, Suggestive—The Word in Scriabin’s Instrumental Musice abstract and the other significant. But for centuries, the word has been an integral part of notated music, not only for vocal, but also for instrumental works. Almost all musical works bear verbal titles, which are sometimes genre names (such as Suite, Sonata, Valse), but often individual inventi作者: 富饒 時(shí)間: 2025-3-28 19:41 作者: 背心 時(shí)間: 2025-3-28 23:48 作者: 不溶解 時(shí)間: 2025-3-29 05:40
Hans Werner Henze’s Concept of ,. On the Historical Significance of Music for Social Progressnts from psychological, social and political reality is particularly evident in his music theatre works, but not only. The complexity of reality is also reflected in his concert music. The means of his . are manifold, they embrace sounds, rhythms. Instruments, musical motives from each genre and fro作者: 閹割 時(shí)間: 2025-3-29 08:10
Singing, Playing and Performing in Popular Music in the Age of Liquid Modernityn a field which is referred to as popular music. The theoretical framing of the present discourse represents postmodernism, especially the work by Zygmunt Bauman and his thesis about the liquid society as a metaphor for the social conditions of beginning of the third millennium, Jean-Fran?ois Lyotar作者: Extricate 時(shí)間: 2025-3-29 13:30 作者: 預(yù)防注射 時(shí)間: 2025-3-29 18:33 作者: 內(nèi)部 時(shí)間: 2025-3-29 21:49
Book 2023ay communication alike. Presenting an in-depth systematical and historical analysis of the evolution of word and gesture art, it gives extensive information on the anthropological, biological, and physiological influences and interactions in music and beyond. The book gives a unique definition of th作者: acrophobia 時(shí)間: 2025-3-30 01:06 作者: Hiatus 時(shí)間: 2025-3-30 05:00
Love, Death, and Rhetoric. Meaningful Textual-Musical and Vocal-Instrumental Relationships in Giusepudy reveals much semantic complexity in the way in which text and music—and voices and instruments—interact in order to complement, underline, deepen, nuance, anticipate, and even contradict each other, according to what seems a carefully planned design by Verdi.作者: 描述 時(shí)間: 2025-3-30 10:36
On Some Aspects of Compositional Anthropology in Mauricio Kagel’s Workterdijk‘s anthropotechnical philosophy of man as a practicing being is the occasion to examine the anthropological constant of repetition in Kagel‘s compositional technique, using the final phase of his . as an example.作者: 名義上 時(shí)間: 2025-3-30 12:52
Word, Tone, Context: Communication?and?Sense in the Medium of Music practices manifest themselves in an endless and unlimited semiosis, to which they give rise as social practices, making them, on the one hand, close to linguistic communication, and, on the other hand, paradigms of artistic communication.作者: 只有 時(shí)間: 2025-3-30 16:45
Normative, Descriptive, Suggestive—The Word in Scriabin’s Instrumental Musiclose relationship with the word. Thus he left behind a respectable number of poetic writings and programmatic texts. He also integrated words into his musical texts. They are at the same time indications for interpretation, descriptions of the contents of the music and suggestive commentaries.作者: 傻瓜 時(shí)間: 2025-3-31 00:27
Circle, did not offer particularly lucrative opportunities for making an easy livelihood. Farmers, who until the 1960s formed the biggest socioeconomic group, had to fight a constant battle against nature. During the short and rather cool summers, they had to try to gather stores to be used during t作者: promote 時(shí)間: 2025-3-31 04:43
Kerstin St?rlnatural anomaly detectorsDiscover key information buried in the noise of data by learning a variety of anomaly detection techniques and using the Python programming language to build a robust service for anomaly detection against a variety of data types. The book starts with an overview of what anom作者: 不真 時(shí)間: 2025-3-31 08:53 作者: 混合 時(shí)間: 2025-3-31 10:14
a whole unit.Investigates the interrelation between differe.This book summarizes the authors‘ extensive experience and interdisciplinary approach to demonstrate how acquiring and integrating data using a variety of analytical equipment can provide better insights into unconventional shale reservoir
