標(biāo)題: Titlebook: Webster: The Tragedies; The Tragedies Kate Aughterson Textbook 2001Latest edition The Editor(s) (if applicable) and The Author(s) 2001 dram [打印本頁] 作者: 生手 時間: 2025-3-21 18:02
書目名稱Webster: The Tragedies影響因子(影響力)
書目名稱Webster: The Tragedies影響因子(影響力)學(xué)科排名
書目名稱Webster: The Tragedies網(wǎng)絡(luò)公開度
書目名稱Webster: The Tragedies網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Webster: The Tragedies被引頻次
書目名稱Webster: The Tragedies被引頻次學(xué)科排名
書目名稱Webster: The Tragedies年度引用
書目名稱Webster: The Tragedies年度引用學(xué)科排名
書目名稱Webster: The Tragedies讀者反饋
書目名稱Webster: The Tragedies讀者反饋學(xué)科排名
作者: Assault 時間: 2025-3-21 23:08
Society and Politicser we shall look explicitly at the society and politics of his dramatic worlds within two extracts, analysing how social structure and political conduct are intimately connected; how characterisation is a key way in which Webster engages our own political views; and the function of gender within the political crises.作者: CUB 時間: 2025-3-22 02:52 作者: 拱形大橋 時間: 2025-3-22 07:03
EndingsIs the ending darkly pragmatic? Does it answer all our questions, or not? The answers to these broader questions can be found through close analysis of the closing moments of any play. Let us turn, then, to the ending of ..作者: 他日關(guān)稅重重 時間: 2025-3-22 12:19 作者: Compatriot 時間: 2025-3-22 14:00
Heroes and Villainsividuals or participants in a world that is more flawed than they? Why is his focus on tragic heroines rather than heroes? You need to keep in mind what we have decided in Chapter 4, and place any conclusions you make here in that context.作者: concert 時間: 2025-3-22 19:30 作者: Hectic 時間: 2025-3-23 00:13 作者: 六邊形 時間: 2025-3-23 02:42
Webster’s Theatricalitying. And thirdly, we have noted the way he uses large ‘set-piece’ scenes, which coalesce visual and narrative motifs through self-conscious use of specific visual settings. Self-conscious theatricality is often called ‘meta-theatricality’: look at the Introduction for a definition of this term.作者: 復(fù)習(xí) 時間: 2025-3-23 08:28 作者: CAMP 時間: 2025-3-23 13:11 作者: 過份艷麗 時間: 2025-3-23 17:15 作者: Coronary-Spasm 時間: 2025-3-23 18:36
Introduction us. So, before we plunge into the play, it is useful to outline some of the analytical terms which we shall be using in our analyses in this book. These may be divided into three areas: the linguistic form; imagery; and dramatic form and performance.作者: Anthrp 時間: 2025-3-23 23:15
Introduction us. So, before we plunge into the play, it is useful to outline some of the analytical terms which we shall be using in our analyses in this book. These may be divided into three areas: the linguistic form; imagery; and dramatic form and performance.作者: 雪崩 時間: 2025-3-24 05:56 作者: 碳水化合物 時間: 2025-3-24 07:51 作者: Concrete 時間: 2025-3-24 13:16
Iconography and Imageryd concentrating dramatic meaning and conflict through imagery and iconography as well as verbal conflict. For example, visual setting and blocking in the trial scene of . are used to signify a confusion and abuse of roles.作者: glamor 時間: 2025-3-24 15:49
Iconography and Imageryd concentrating dramatic meaning and conflict through imagery and iconography as well as verbal conflict. For example, visual setting and blocking in the trial scene of . are used to signify a confusion and abuse of roles.作者: LUT 時間: 2025-3-24 21:13
ys, by giving them the tools of analysis. Provides contextuaWebster‘s theatre was also Shakespeare‘s theatre: but their tragedies are very different.Webster has a reputation for angst-ridden, obsessive and debased characters and the creation of a sick and decaying world.Yet his heroines are the amon作者: 鉤針織物 時間: 2025-3-25 02:21
Introductionogy. Nevertheless, when we read a four-hundredyears-old play, the verbal, literary and social conventions to which it adheres are necessarily alien to us. So, before we plunge into the play, it is useful to outline some of the analytical terms which we shall be using in our analyses in this book. Th作者: 骯臟 時間: 2025-3-25 05:59
Introductionogy. Nevertheless, when we read a four-hundredyears-old play, the verbal, literary and social conventions to which it adheres are necessarily alien to us. So, before we plunge into the play, it is useful to outline some of the analytical terms which we shall be using in our analyses in this book. Th作者: 安撫 時間: 2025-3-25 11:09 作者: 感染 時間: 2025-3-25 14:08 作者: GULLY 時間: 2025-3-25 19:26
Endingsll the emotions, plot-lines, conflicts and themes in a final show-down. The nature of the show-down (who dies, who is married, who feasts and who does not) tells us much about the play’s dramatic intent. Does the ending resolve conflict or perpetuate it? Is the ending idealistic, if so why is this? 作者: 向外才掩飾 時間: 2025-3-25 20:57 作者: 同義聯(lián)想法 時間: 2025-3-26 01:48
Turning Pointshurtle towards their finale. Webster’s tragedies are no exception, and a good understanding of his pivotal scenes helps us see, feel and understand the crises which lead to the final tragic moments we discussed in Chapter 2.作者: 預(yù)測 時間: 2025-3-26 04:51
Turning Pointshurtle towards their finale. Webster’s tragedies are no exception, and a good understanding of his pivotal scenes helps us see, feel and understand the crises which lead to the final tragic moments we discussed in Chapter 2.作者: evaculate 時間: 2025-3-26 09:01 作者: CHIDE 時間: 2025-3-26 13:14 作者: conscribe 時間: 2025-3-26 20:35
Heroes and Villainshe imagination of an audience as do Bosola or Ferdinand, and he lacks a hero’s independence. No single male character has the central dramatic status of his heroines, nor the interior monologues of Shakespeare’s tragic heroes. What is the function of Webster’s male heroes? Are they flawed tragic ind作者: Keratectomy 時間: 2025-3-26 22:04 作者: 排他 時間: 2025-3-27 03:34
Society and PoliticsWe have also seen that he dramatises political and legal conflict and corruption, often focusing on debates about, and struggles for, female sexuality. In the first two chapters we discussed how he created a corrupt and divided society through staging and content, raising questions about the correct作者: blackout 時間: 2025-3-27 07:19 作者: ETCH 時間: 2025-3-27 12:41 作者: badinage 時間: 2025-3-27 15:55 作者: 易彎曲 時間: 2025-3-27 20:55
Iconography and Imageryge (including pageantry, masques, and the blocking of actors) with setting, costume and props and the more extensive themes of the play, coalescing and concentrating dramatic meaning and conflict through imagery and iconography as well as verbal conflict. For example, visual setting and blocking in 作者: Indent 時間: 2025-3-28 01:59
Iconography and Imageryge (including pageantry, masques, and the blocking of actors) with setting, costume and props and the more extensive themes of the play, coalescing and concentrating dramatic meaning and conflict through imagery and iconography as well as verbal conflict. For example, visual setting and blocking in 作者: 描繪 時間: 2025-3-28 02:05
Webster’s Playsking life as a playwright begin in 1602, at the very end of Elizabeth’s reign. His plays continued to be performed in repertory until and beyond his death, although the last play he wrote was in 1627 (.). The range and nature of the plays he wrote across his career can illuminate his two tragedies. 作者: 表狀態(tài) 時間: 2025-3-28 08:25 作者: 凝乳 時間: 2025-3-28 14:12 作者: Heresy 時間: 2025-3-28 17:28 作者: 打包 時間: 2025-3-28 21:17 作者: 薄膜 時間: 2025-3-29 01:17 作者: 口訣 時間: 2025-3-29 04:53
Textbook 2001Latest editionsed characters and the creation of a sick and decaying world.Yet his heroines are the amongst the strongest characters, male or female, in Jacobean drama..This book shows how Webster‘s plays portray a world in which patriarchal, aristocratic politics are dissected as diseased.Through close analysis 作者: 疏忽 時間: 2025-3-29 08:52 作者: 無聊的人 時間: 2025-3-29 11:58
Turning Pointshurtle towards their finale. Webster’s tragedies are no exception, and a good understanding of his pivotal scenes helps us see, feel and understand the crises which lead to the final tragic moments we discussed in Chapter 2.作者: electrolyte 時間: 2025-3-29 16:14
The Editor(s) (if applicable) and The Author(s) 2001作者: Scintigraphy 時間: 2025-3-29 21:48 作者: backdrop 時間: 2025-3-30 02:02
Analysing Textshttp://image.papertrans.cn/w/image/1021781.jpg作者: 拖網(wǎng) 時間: 2025-3-30 06:37 作者: 殘酷的地方 時間: 2025-3-30 12:14 作者: 苦澀 時間: 2025-3-30 12:27
Tragic Heroinested on the moral ambiguity of the central characters: to what extent is their downfall created by their own folly, and to what extent is it caused by the circumstances into which they are forced by others? These are the kinds of questions we should keep in mind over the next few chapters.作者: tendinitis 時間: 2025-3-30 16:54 作者: Vsd168 時間: 2025-3-31 00:34
Webster’s Playskiness has similarities with both the structure and content of the two tragedies. We shall return to these similarities in a moment, when we come to discuss the relationship of the two tragedies to his whole career’s work. However, let us first have a look at a probable chronology of his work, and c作者: Graphite 時間: 2025-3-31 03:38 作者: 多山 時間: 2025-3-31 05:22 作者: Parallel 時間: 2025-3-31 09:53 作者: 寵愛 時間: 2025-3-31 14:43
?igen .-Ecks, dessen Zentrum der Drehpunkt ist. Der Leser zeichne sich übungshalber die Orbits verschiedener Punkte für die Friesgruppen. Die uns interessierende metrische Eigenschaft der Ornamentgruppen findet in der . eines jeden Orbits ihren Ausdruck. Was bedeutet das? Die Punkte eines Orbits h?u作者: 恭維 時間: 2025-3-31 18:43
Kate Aughterson Fl?chen hergeleitet. Auf die Frage, was nun unter einer Fl?che bzw. dem Inhalt dieser Fl?che eigentlich zu verstehen sei, wird selten eine zufriedenstellende Antwort gegeben. Die Integralrechnung besch?ftigt sich in diesem Zusammenhang nun mit der Berechnung von Fl?cheninhalten sehr spezieller Fl?c作者: 我說不重要 時間: 2025-3-31 22:14
Kate Aughterson Fl?chen hergeleitet. Auf die Frage, was nun unter einer Fl?che bzw. dem Inhalt dieser Fl?che eigentlich zu verstehen sei, wird selten eine zufriedenstellende Antwort gegeben. Die Integralrechnung besch?ftigt sich in diesem Zusammenhang nun mit der Berechnung von Fl?cheninhalten sehr spezieller Fl?c作者: Incommensurate 時間: 2025-4-1 02:53 作者: Osteons 時間: 2025-4-1 07:21
Kate Aughterson der vorausgehende Empirismus glaubte, sondern wesentlich auch auf Definitionen und Prinzipien beruht. Jede physikalisch verstandene Beobachtung enth?lt mehr als was in ihr tats?chlich vorliegt (z. B. die Koinzidenz eines Zeigers mit einem Strich), indem dieses als Symptom eines materiellen Zustande作者: FANG 時間: 2025-4-1 11:55 作者: 懲罰 時間: 2025-4-1 17:05
Kate Aughtersonmatisch-technischen Lehr- büchern oft in verwirrender Zahl beigegeben sind, verzichtet. In der Planimetrie und Trigonometrie gilt das besondere Augenmerk dem Berechnen von Prüfma?en bei Herstellungs- und Me?vorg?ngen im Vorrichtungs-, Werkzeug- und Lehrenbau. Bei den Stereometrie- aufgaben erfordert die Erfas978-3-322-97957-5978-3-322-98532-3作者: Instantaneous 時間: 2025-4-1 21:25 作者: 細(xì)菌等 時間: 2025-4-2 01:54
absolute Gr??e sich stetig zu-oder abnehmend ver?ndert, verl?uft der prozentuale Wert nach einer Kurve, welche, anf?nglich steil aufsteigend, allm?hlich einen flacher werdenden Verlauf annimmt, um sich in der Unendlichkeit einem Grenzwert zu n?hern. In jedem einzelnen Falle werden diese Gewinnkurven作者: Host142 時間: 2025-4-2 03:46
rtige Probleme durch Intuition oder Probieren anzugehen. Eine Warteschlangensituation entsteht immer dann, wenn Personen oder Güter-die sogenannten Kunden - von einer oder mehreren Stellen eine (Dienst-)Leistung ver- langen und wenn dabei die Zeitpunkte der Kundenankünfte undfader die Dauer der einzelnen Abfe978-3-663-06379-7978-3-663-07292-8作者: Abutment 時間: 2025-4-2 09:59
Kate Aughtersonz. auf der .-Kugel in sich überführen. Nach Trennung der akzessorischen Parameter in reellen und imagin?ren Teil erh?lt man dann zur Bestimmung dieser Gr??en eine der Anzahl der Unbekannten entsprechende Zahl transzendenter Gleichungen, von denen zu zeigen ist, da? sie gemeinsame Wurzeln besitzen; i作者: nauseate 時間: 2025-4-2 12:03 作者: collagen 時間: 2025-4-2 19:20 作者: Pageant 時間: 2025-4-2 20:43
enschaft gemeinsam, die sich auf den Bahnverlauf eines beliebigen Punktes von . bezieht: Wenn man eine beliebige Untergruppe G in Mot(.) hat, so hei?t für einen willkürlich gew?hlten Punkt . ∈ . die Menge aller Punkte .(.),. ∈ G, der . von . bzgl. G. Der Orbit von . ist eine Punktmenge, die durch je作者: Coronary 時間: 2025-4-3 00:40
