標(biāo)題: Titlebook: War and Theatrical Innovation; Victor Emeljanow Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Political propaganda.Milita [打印本頁] 作者: 烈酒 時(shí)間: 2025-3-21 20:06
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書目名稱War and Theatrical Innovation讀者反饋
書目名稱War and Theatrical Innovation讀者反饋學(xué)科排名
作者: 油膏 時(shí)間: 2025-3-21 23:09 作者: 仲裁者 時(shí)間: 2025-3-22 00:28
Guns, Money and the Muse: New Patronage in the Russian Civil War, 1919–1922 Red Army patronage would enable Kurbas’ group to rise from an unknown avant-garde studio to the most heavily subsidized theatre company of early Soviet Ukraine. Live performance, guns and politics on the borderlands created the beginnings of the new Soviet artistic infrastructure.作者: 不利 時(shí)間: 2025-3-22 06:16
Puppetry and the Spanish Civil Wared during the Second Republic in Spain and during the Spanish Civil War attempts were made to harness this popularity and to use the puppet for entertainment of troops, support the political struggle and to offer moral instruction.作者: BUCK 時(shí)間: 2025-3-22 12:26 作者: Collar 時(shí)間: 2025-3-22 16:33
Guns, Money and the Muse: New Patronage in the Russian Civil War, 1919–1922 Red Army patronage would enable Kurbas’ group to rise from an unknown avant-garde studio to the most heavily subsidized theatre company of early Soviet Ukraine. Live performance, guns and politics on the borderlands created the beginnings of the new Soviet artistic infrastructure.作者: FIR 時(shí)間: 2025-3-22 18:09 作者: 大喘氣 時(shí)間: 2025-3-22 22:23 作者: Relinquish 時(shí)間: 2025-3-23 02:10 作者: Multiple 時(shí)間: 2025-3-23 08:49 作者: Definitive 時(shí)間: 2025-3-23 10:03
The Greek Tragic Chorus and Its Training for War: Movement, Music and Harmony in Theatrical and Milif ancient Greek choral and military training as a continuation of primary education. As such, choral and military performance contributed to inculcating Athenian cultural knowledge. It will be shown that the training in song and dance for tragic choruses sought to prepare young Athenians for much mo作者: 低位的人或事 時(shí)間: 2025-3-23 16:03
Cultural Camouflage: Acting Identities in World War 2 Espionageic to one training base, known as a finishing school, was the production of cover stories and false identities. In this location actors were brought in to help agents with cultural camouflage, the event of assuming and enacting a new cultural identity. Accompanying this instruction were a set of man作者: 流浪者 時(shí)間: 2025-3-23 20:58
The Scenographer as Camoufleurocus on the activities by the Allied Forces. It draws on military sources as well as the personal accounts and memoirs of theatre designers and art directors engaged in camouflage units, to demonstrate how the military stratagem of “play-acting” would have been impossible to realize without the stag作者: 犬儒主義者 時(shí)間: 2025-3-24 00:18
Puppetry and the Spanish Civil Warf community. In the wake of the nineteenth-century rise in popularity of the puppet as newsreader, political commentator and satirist, puppets were seen as players within the artistic articulation of national and local identity. In Spain, and in particular in Catalonia, during the early years of the作者: Odyssey 時(shí)間: 2025-3-24 02:54 作者: ENNUI 時(shí)間: 2025-3-24 06:57 作者: Accord 時(shí)間: 2025-3-24 14:40
The Biopolitics of ISIS’ Iconoclastic Propagandapolitical tropes, within ISIS’ propaganda, lie on the unstable threshold between . and . and the iconoclastic use of both. In agreement with Agamben’s claim that . is always caught in a state of indistinction, such an indistinction could easily be envisioned as residing in-between what performance s作者: 加入 時(shí)間: 2025-3-24 15:59
Cultural Camouflage: Acting Identities in World War 2 Espionageic to one training base, known as a finishing school, was the production of cover stories and false identities. In this location actors were brought in to help agents with cultural camouflage, the event of assuming and enacting a new cultural identity. Accompanying this instruction were a set of man作者: 擴(kuò)張 時(shí)間: 2025-3-24 19:25
Guns, Money and the Muse: New Patronage in the Russian Civil War, 1919–1922orld War 1 forced artistic mobility, creating new networks between East and West and producing aesthetic flourishing on the southwest borderlands of the former Russian empire. More consequential, however, were the frontline encounters between the Red Army and formerly imperial artists. These unexpec作者: 砍伐 時(shí)間: 2025-3-25 01:07 作者: minion 時(shí)間: 2025-3-25 06:14 作者: CUB 時(shí)間: 2025-3-25 08:47 作者: Gratulate 時(shí)間: 2025-3-25 15:15
Patronizing the National Stage: Subsidies and Control in Wartime Britainicy but a major change in the perception of arts in war-time. It was also the inception of cultural policy in Britain—a term which did not exist before. The Arts Council of Great Britain was a direct outcome of this development as was the culture portfolio within the UK government. Given that offici作者: 協(xié)迫 時(shí)間: 2025-3-25 16:15
Theatrical Propaganda and an Imagined West During the Korean WarCivil War (1951–1953). The Korean word ‘. means ‘a(chǎn) New Theatre Society’. It was the only theatre company to produce the work in times of the Korean War. For this, I will argue how this theatre company is positioned in the context of Korean theatre history particularly in the 1950s. Then I will explo作者: Congestion 時(shí)間: 2025-3-25 21:38
‘Make Do and Mend’: Civilian and Military Audiences in Australian Popular Entertainment During the Pural, caused by the social conditions of universal national military and labour conscription. During the Pacific War of 1942–1945 mainland Australia became an American supply and training base. Although different urban and rural regions experienced it in specific ways, the wartime imaginary put prev作者: TATE 時(shí)間: 2025-3-26 01:49
The Biopolitics of ISIS’ Iconoclastic Propagandapolitical tropes, within ISIS’ propaganda, lie on the unstable threshold between . and . and the iconoclastic use of both. In agreement with Agamben’s claim that . is always caught in a state of indistinction, such an indistinction could easily be envisioned as residing in-between what performance s作者: Counteract 時(shí)間: 2025-3-26 05:13 作者: gospel 時(shí)間: 2025-3-26 11:15
Manipulating Beijing Opera: Criminality and Prosperity During Civil War in China C. 1930est that involved nations, classes, warlords and political parties against the overall background of civil wars in China. It argues that the Shanghai Green Gang, a criminal organization, played a significant role in .’s stable development and commercial success under unique circumstances. Because of作者: Rustproof 時(shí)間: 2025-3-26 13:33 作者: 有斑點(diǎn) 時(shí)間: 2025-3-26 20:48 作者: 合同 時(shí)間: 2025-3-26 23:44
Book 2017 offers both a geographically and historically wide view of the subject, taking examples from?Britain, Australia and America to the Middle East, Korea and China, and spanning the fifth century BCE to the present day.?It explores?the ways in which theatre practices have been manipulated for use in po作者: 合群 時(shí)間: 2025-3-27 01:11
The Greek Tragic Chorus and Its Training for War: Movement, Music and Harmony in Theatrical and Milire than performing in a festival. Through an examination of ancient texts and art alongside Diana Taylor’s notion that “performances function as vital acts of transfer, transmitting social knowledge, memory, and a sense of identity”, it will become clear that choral rehearsal was also a rehearsal for battle and citizenship.作者: 揉雜 時(shí)間: 2025-3-27 05:17
Cultural Camouflage: Acting Identities in World War 2 Espionageuals that would identify particular cultural and societal characteristics and challenges, as well as providing basic training skills that agents might have to employ, and were likely to engage with and require during fieldwork.作者: Aboveboard 時(shí)間: 2025-3-27 13:26
The Scenographer as Camoufleure professionals that were enlisted to design the .-.-. created in models, viewing rooms and camouflages. It will also reveal how the military imposed their own vision of war on theatre practice through recruiting manuals, training manuals, propaganda and film.作者: 先鋒派 時(shí)間: 2025-3-27 15:45 作者: 細(xì)微的差異 時(shí)間: 2025-3-27 18:51 作者: Occupation 時(shí)間: 2025-3-27 22:36 作者: 單片眼鏡 時(shí)間: 2025-3-28 03:05 作者: 感情脆弱 時(shí)間: 2025-3-28 06:46
Manipulating Beijing Opera: Criminality and Prosperity During Civil War in China C. 1930 the absence of a dominant political power in war-impacted Shanghai, the Green Gang as an irreplaceable intermediary struck a balance among various powers and established its economic, political and social influences. As one of its industries to make cash and reputation, the market of . was manipulated and facilitated by the Green Gang.作者: 刪除 時(shí)間: 2025-3-28 14:05 作者: evaculate 時(shí)間: 2025-3-28 16:13
Manipulating Beijing Opera: Criminality and Prosperity During Civil War in China C. 1930 the absence of a dominant political power in war-impacted Shanghai, the Green Gang as an irreplaceable intermediary struck a balance among various powers and established its economic, political and social influences. As one of its industries to make cash and reputation, the market of . was manipulated and facilitated by the Green Gang.作者: 不確定 時(shí)間: 2025-3-28 20:40
‘Make Do and Mend’: Civilian and Military Audiences in Australian Popular Entertainment During the Pties. In responding to a historically unprecedented wartime audience base—and a national emergency—professional variety created its own transformative concept of national conscription as a willing worker in the war effort.作者: 無能力 時(shí)間: 2025-3-29 01:23 作者: GROSS 時(shí)間: 2025-3-29 06:42
2947-5767 t of conflict, and the emergence of new forms of patronage during wartime theatre-going,?boosting morale at periods when social structures and identity were being destabilized..978-1-349-95635-7978-1-137-60225-1Series ISSN 2947-5767 Series E-ISSN 2947-5775 作者: Solace 時(shí)間: 2025-3-29 08:10 作者: THROB 時(shí)間: 2025-3-29 12:15
War and Theatrical Innovation978-1-137-60225-1Series ISSN 2947-5767 Series E-ISSN 2947-5775 作者: 不適 時(shí)間: 2025-3-29 18:33
Palgrave Studies in Theatre and Performance Historyhttp://image.papertrans.cn/w/image/1020482.jpg作者: 有特色 時(shí)間: 2025-3-29 20:30
https://doi.org/10.1057/978-1-137-60225-1Political propaganda; Military propaganda; Wartime theatre; Scenography as camouflage; Espionage trainin作者: limber 時(shí)間: 2025-3-30 00:13
Victor EmeljanowAddresses the interpenetration of theatrical practices and wartime strategies.Offers a broad view of the intersection between conflict and theatre, both temporally and geographically.Identifies key ar作者: calamity 時(shí)間: 2025-3-30 05:09
Anthony Parker,Daniel Mcgillions of commercial importance is the central theme of industrial biocatalysis. Traditionally, biocatalysis has been in the domain of the life scientist or biochemical engineer. However, recent advances in this field have enabled biocatalytic processes to compete head on with, and in some cases out- 作者: 半球 時(shí)間: 2025-3-30 08:37
Shao Sun,Jiayi Fang,Peijun Shicence meristem. (2) The inflorescence meristem starts to generate floral meristems, or is itself transformed into a floral meristem. This step can be preceded by the generation of a limited number of secondary inflorescence meristems by the primary inflorescence meristem. (3) The floral meristems pr作者: Trochlea 時(shí)間: 2025-3-30 13:11 作者: magnanimity 時(shí)間: 2025-3-30 20:13
Contact dermatitis exogenous substances. By definition, a contact dermatitis is morphologically a dermatitis, i.e. an inflammation of the epidermis with histological evidence of spongiosis. The polymorphic pattern of skin inflammation is characterized by erythema, oedema, vesiculation and pruritus. Less acute eczema 作者: 考古學(xué) 時(shí)間: 2025-3-30 22:27 作者: In-Situ 時(shí)間: 2025-3-31 04:00
Profiling Signaling Proteins in Sertoli Cells by Co-immunoprecipitation,and germ cell line. To fully understand the role of Sertoli cells, it is necessary to characterize the protein-protein interactions. Identifying the interactome of a given protein may provide leads about the role and molecular mechanism of such protein in Sertoli cells. One of the techniques to char作者: 保守黨 時(shí)間: 2025-3-31 06:06 作者: 青春期 時(shí)間: 2025-3-31 11:18 作者: 確定方向 時(shí)間: 2025-3-31 15:10
Membrane Fusion Induced by the HIV , Glycoprotein: Purification of CD4 for Reconstitution Studies,systems, the mechanism of the fusion event itself remains unclear. Most model membranes are stable and do not fuse without an external trigger. Biological membrane fusion requires a specific mediator, which is presumed to be a protein.作者: 發(fā)炎 時(shí)間: 2025-3-31 18:43 作者: 類似思想 時(shí)間: 2025-4-1 00:20
Claus von Kutzschenbachhe asynchronous sequential circuit. Since the duration of the time steps in the model checker is random, it is not possible to use a deterministic model. The model developed is an abstract model for the behavior of delay elements comparable to RC-filters. It includes a notion of synchronization with作者: 骯臟 時(shí)間: 2025-4-1 05:28
Gerry Gilmorebout the politics of time to show that time making is political and asks how we can achieve more synchronicity, in particular a non-capitalist one. It is argued that politics is not only about finding common spaces but also about finding common times. The chapter also questions what it calls . think作者: 障礙物 時(shí)間: 2025-4-1 08:48
Minimizing Emissions and Cost Through Reducing Equipment Idle Time in Concreting Operationsum equipment configurations. Case study data along with Monte Carlo simulation are used to develop a model for cyclical concreting operations. The results highlight that eliminating most of the truck waiting time translates to higher utilization of both trucks and loader, thus increasing the non-idle fuel use and consequently increases emissions.作者: obscurity 時(shí)間: 2025-4-1 12:22
Comparative Pathophysiology of Circulatory DisturbancesProceedings of the S作者: COMA 時(shí)間: 2025-4-1 14:22 作者: nullify 時(shí)間: 2025-4-1 18:30
Book 2021authoritative research pioneered by the author serves as the basis for the method adopted here. This unique methodology consists of an original modelling approach, well-posedness results for the proposed models for swimmers, and a controllability theory that studies the steering potential of the pro
