標(biāo)題: Titlebook: War Representation in British Cinema and Television; From Suez to Thatche Kevin M. Flanagan Book 2019 The Editor(s) (if applicable) and The [打印本頁] 作者: 凝固 時間: 2025-3-21 17:48
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作者: critique 時間: 2025-3-21 23:07 作者: 石墨 時間: 2025-3-22 00:35 作者: employor 時間: 2025-3-22 06:53
978-3-030-30205-4The Editor(s) (if applicable) and The Author(s) 2019作者: CHOIR 時間: 2025-3-22 11:47 作者: remission 時間: 2025-3-22 15:54 作者: Optimum 時間: 2025-3-22 19:54
Kevin M. Flanagans to mend their bloody ways or because it offers them occasion to display compassion as an . for real change? The latter is suggested in Terry Eagleton’s blunt comment that ‘the case is no different from someone shedding tears over images of the down-and-out while creating mass unemployment in his own company.作者: 異端邪說下 時間: 2025-3-23 01:16
Kevin M. Flanaganolitical or moral ideologies;. by protesters using the ‘otherness’ of the puppet to represent the ludicrous nature of dictatorship; and by people wishing to escape censorship, blaming their actions on the puppet. They have been used not only as instruments in the hands of ideologists, but also as vicious and sharp satirical voices.作者: 全等 時間: 2025-3-23 01:44 作者: 名字 時間: 2025-3-23 07:48
hild. It conveys a heightened sense of loss by insisting that he ‘was a child’ (1. 5) and emphasising that the account offered is his ‘little storie’ (1. 2). Pavy’s status as child is crucial to his identity to the extent that even ‘Death’s selfe’ (1. 4) is sorry at having mistakenly taken him.作者: Devastate 時間: 2025-3-23 09:56 作者: 情節(jié)劇 時間: 2025-3-23 16:52 作者: 子女 時間: 2025-3-23 20:22
Kevin M. Flanaganschungseffektivit?t bzw. -effizienz der betriebswirtschaftlichen Fachbereiche konstituieren. Dem ist der Reputationsindikator als reflektives Performancema?, das sich auf verschiedene Facetten der Forschungsleistungen bezieht, gegenüberzustellen.作者: ADAGE 時間: 2025-3-23 22:32
Kevin M. Flanagann der Eigentümer in Abh?ngigkeit von Cash Flow-Gr??en zu treffen sind, die Managemententlohnung aber vielfach an periodisierte Kennzahlen des Rechnungswesens gekoppelt ist, so kann es gegebenenfalls zu Fehlanreizen für das Management kommen.作者: SEVER 時間: 2025-3-24 02:53
cultural structure requires the opposite type of cultural representation: it is precisely the individualism of modern (and post-modern) culture that needs empathy as a tool to produce concerted political action.作者: padding 時間: 2025-3-24 07:07 作者: V洗浴 時間: 2025-3-24 13:00
War Representation in British Cinema and TelevisionFrom Suez to Thatche作者: fastness 時間: 2025-3-24 18:54
liche Erfolgsfaktoren für Unternehmen. ..?Basierend auf dem fundierten Datenmaterial leitet der Verfasser zu einem zentralen Handlungsfeld der Personalarbeit [...] klare Handlungsempfehlungen für die Praxis ab.“ .Thomas Sattelberger, Personalvorstand und Arbeitsdirektor,.Deutsche Telekom AG..978-3-8349-1304-3978-3-8349-8002-1作者: conduct 時間: 2025-3-24 21:55
Kevin M. Flanaganf. Dr. Werner Smolny für die übernahme des Amts des Wahlmitglieds im Rahmen des Promotionskolloquiums. Ferner m?chte ich dem gesamten Lehrstuhlteam des Ins- tuts für Strategische Unternehmensführung und Finanzierung für die erhaltene - terstützung danken. Besonders Frau Anette Lesle für ihre Hilfsbe作者: 隨意 時間: 2025-3-25 02:43 作者: Jejune 時間: 2025-3-25 04:34
Kevin M. Flanaganement and new left political scene of the 1960s in general. These bear comparison to the intersubjective perspectives explored in the artworks discussed in the previous chapters, and Ouchida’s embedded and chaotic cinema vérité approach in the film adds to this sense of an embodied and visceral interweaving of aesthetics and politics.作者: 使人入神 時間: 2025-3-25 09:47
Kevin M. Flanaganle they reveal a longing for an ageless self, a desire to present a consistent, unified identity. The works mirror prevailing social perceptions of the aging process as well as the tensions between chronological age, physiological age, and cultural constructions of age.作者: 藕床生厭倦 時間: 2025-3-25 14:20
Book 2019evision series and films by directors such as Lone Scherfig and Christopher Nolan. Encompassing everything from features to government information films, the book explores related trends in the British film industry, popular culture, and film criticism, while offering a sense of how these contexts contribute to historical memory..作者: SUE 時間: 2025-3-25 16:49 作者: CAND 時間: 2025-3-25 22:25 作者: 博識 時間: 2025-3-26 01:14
Introduction: Toward an Alternative Tradition of War Representation,l stability and consensus whose fraying edges were exposed on-screen. The author introduces the methodologies used throughout the book and provides case studies forecasting the themes of the chapters to come, as well as more detailed descriptions of the chapters themselves.作者: ANTIC 時間: 2025-3-26 06:06
,On Screen and at Arm’s Length: Social Class and the Simulation of Combat,rative case study of Richard Attenborough’s . (1969) and Peter Watkins’s . (1970) to demonstrate how these issues were differently represented during the period (and how they applied to both past wars and speculative conflicts).作者: 責(zé)怪 時間: 2025-3-26 09:32
,On Screen and at Arm’s Length: Social Class and the Simulation of Combat,rative case study of Richard Attenborough’s . (1969) and Peter Watkins’s . (1970) to demonstrate how these issues were differently represented during the period (and how they applied to both past wars and speculative conflicts).作者: blackout 時間: 2025-3-26 14:55 作者: Hearten 時間: 2025-3-26 17:04 作者: 全部逛商店 時間: 2025-3-27 00:39
,Comic and Satirical Alternatives to the “Pleasure Culture of War”,s genres, it compares two films written by Charles Wood, . (1968) and . (1967), and looks at how these films combine Wood’s penchant for comic irony with varied modernist techniques stressed by the directors (Tony Richardson and Richard Lester, respectively).作者: 浮雕寶石 時間: 2025-3-27 02:54 作者: 流浪者 時間: 2025-3-27 08:19 作者: COW 時間: 2025-3-27 10:54 作者: 注視 時間: 2025-3-27 16:47
Conclusion: The Legacies of 1960s and 1970s War Representation, from Thatcher to Brexit,ons of war have expanded to include more peripheral and distanced elements (and have focused more on noncombatant contributions to war). . (2017) shows how war representation is still stuck between discourses of realism and modes of spectacularization.作者: 外科醫(yī)生 時間: 2025-3-27 19:54
Conclusion: The Legacies of 1960s and 1970s War Representation, from Thatcher to Brexit,ons of war have expanded to include more peripheral and distanced elements (and have focused more on noncombatant contributions to war). . (2017) shows how war representation is still stuck between discourses of realism and modes of spectacularization.作者: 令人悲傷 時間: 2025-3-28 00:10 作者: Functional 時間: 2025-3-28 03:00 作者: 我還要背著他 時間: 2025-3-28 09:49
,Tragedy, Bleakness, Cynicism, and Existentialism in British War Cinema, 1956–1982,ntext for this emphasis and surveys key films to explore these themes and moods. In this post-World War II moment, absent an urgent propaganda mandate, war films begin to feature hopeless and bleak endings more generally. A case study comparing two films directed by Joseph Losey, . (1964) and . (197作者: 無表情 時間: 2025-3-28 11:06 作者: Admonish 時間: 2025-3-28 16:08 作者: flamboyant 時間: 2025-3-28 21:40 作者: conformity 時間: 2025-3-29 00:18 作者: MONY 時間: 2025-3-29 06:47
,On Screen and at Arm’s Length: Social Class and the Simulation of Combat,the Falkland War. It argues that this not only serves a newly technocratic conception of war, but also increases the distance between enlisted men and officers, and creates a means to symbolically shield officers from physical harm. In addition to showing how sports and schooling differently encultu作者: CURL 時間: 2025-3-29 09:05 作者: 憤憤不平 時間: 2025-3-29 15:11
The Bomb and After: Fantasies of Apocalypse and Decline,nuclear anxieties were represented on screen, and analyzing the allegories and fantasies that attended to such a feeling of national inadequacy and perceived decline. It surveys a wide range of film types, from newsreels to James Bond features, and looks at how ideas about war during this period mig作者: 高談闊論 時間: 2025-3-29 19:00
Conclusion: The Legacies of 1960s and 1970s War Representation, from Thatcher to Brexit,within the genre in the long run, whereas others are now routine in the representation of war. In particular, the chapter looks at war and art cinema, war representation under Thatcher, and recent trends. The chapter contains two case studies. . (2015–2016) shows how film and television representati作者: 變色龍 時間: 2025-3-29 20:46
Conclusion: The Legacies of 1960s and 1970s War Representation, from Thatcher to Brexit,within the genre in the long run, whereas others are now routine in the representation of war. In particular, the chapter looks at war and art cinema, war representation under Thatcher, and recent trends. The chapter contains two case studies. . (2015–2016) shows how film and television representati作者: enlist 時間: 2025-3-30 02:28
