標(biāo)題: Titlebook: Wanghong as Social Media Entertainment in China; David Craig,Jian Lin,Stuart Cunningham Book 2021 The Editor(s) (if applicable) and The Au [打印本頁] 作者: Odious 時間: 2025-3-21 16:17
書目名稱Wanghong as Social Media Entertainment in China影響因子(影響力)
書目名稱Wanghong as Social Media Entertainment in China影響因子(影響力)學(xué)科排名
書目名稱Wanghong as Social Media Entertainment in China網(wǎng)絡(luò)公開度
書目名稱Wanghong as Social Media Entertainment in China網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Wanghong as Social Media Entertainment in China被引頻次
書目名稱Wanghong as Social Media Entertainment in China被引頻次學(xué)科排名
書目名稱Wanghong as Social Media Entertainment in China年度引用
書目名稱Wanghong as Social Media Entertainment in China年度引用學(xué)科排名
書目名稱Wanghong as Social Media Entertainment in China讀者反饋
書目名稱Wanghong as Social Media Entertainment in China讀者反饋學(xué)科排名
作者: 露天歷史劇 時間: 2025-3-22 00:02 作者: scoliosis 時間: 2025-3-22 04:15
Policy and Governance,pretations of western concepts of cultural industries and creative industries have been deployed. Cleaving to a traditional view of cultural industries, China has developed a more assertive cultural nationalism, while at the same time embracing the industrial modernization offered by creative indust作者: Sarcoma 時間: 2025-3-22 07:13 作者: 碳水化合物 時間: 2025-3-22 11:17 作者: Parallel 時間: 2025-3-22 15:47 作者: 驚奇 時間: 2025-3-22 18:31
Creators,iary management enterprises called multichannel networks. We deploy a taxonomy of wanghong creators and practices. “Cultural” wanghong are typically media professionals and experts who use platforms to extend their celebrity status or advance their expertise. “Creative” wanghong are professionalizin作者: 松馳 時間: 2025-3-22 21:54
Creators,iary management enterprises called multichannel networks. We deploy a taxonomy of wanghong creators and practices. “Cultural” wanghong are typically media professionals and experts who use platforms to extend their celebrity status or advance their expertise. “Creative” wanghong are professionalizin作者: Insatiable 時間: 2025-3-23 02:03
Culture,ture is degrading and apolitical, how is it also dangerous and disruptive to such an extent that the Party State becomes so wary of it and censorially intervenes so often? This chapter builds on the book’s use of cultural, creative, and social themes by offering a taxonomy of their relationships ill作者: 草本植物 時間: 2025-3-23 08:55
Culture,ture is degrading and apolitical, how is it also dangerous and disruptive to such an extent that the Party State becomes so wary of it and censorially intervenes so often? This chapter builds on the book’s use of cultural, creative, and social themes by offering a taxonomy of their relationships ill作者: 粘 時間: 2025-3-23 11:59
Global Wanghong,most successful of many attempts for Chinese culture to go out, and thus compete against the United States-driven social media entertainment industry and the platforms it operates on. But the backlash against the take-up of particularly TikTok signals rising platform nationalism, and undermines the 作者: VICT 時間: 2025-3-23 14:54 作者: cathartic 時間: 2025-3-23 19:03
Book 2021sts), influencers and micro-celebrities.? Wanghong also refers to an emerging media ecology in which these creators cultivate online communities for cultural and commercial value by harnessing Chinese social media platforms, like Weibo, WeChat, Douyu, Huya, Bilibili, Douyin, and Kuaishuo. ?Framed by作者: Adenocarcinoma 時間: 2025-3-23 23:45
2730-9282 latforms in a parallel online universe to that of the West.U.In Chinese, the term wanghong refers to creators, social media entrepreneurs alternatively known as KOLs (key opinion leaders) and zhubo (showroom hosts), influencers and micro-celebrities.? Wanghong also refers to an emerging media ecolog作者: noxious 時間: 2025-3-24 02:35
Book 2021ntent and culture, as they operate in contrast to its non-Chinese counterpart, social media entertainment, driven by platforms like YouTube, Facebook, Instagram, and Twitch. As evidenced by the backlash to TikTok, the threat of competition from global wanghong signals advancing platform nationalism..作者: 神圣不可 時間: 2025-3-24 08:18
Introduction, is a concept emerging within industry discourses and across diverse academic fields including business, social media, and platform studies, that we use to further differentiate wanghong and SME from legacy media industries.作者: laceration 時間: 2025-3-24 11:37
Introduction, is a concept emerging within industry discourses and across diverse academic fields including business, social media, and platform studies, that we use to further differentiate wanghong and SME from legacy media industries.作者: 槍支 時間: 2025-3-24 16:48 作者: Resign 時間: 2025-3-24 22:11 作者: 沐浴 時間: 2025-3-25 01:42 作者: BILK 時間: 2025-3-25 05:34
Platforms,—involving technological innovations of social commentary, social streaming, and social video—to analyze the social industries in this chapter. These create affordances that enhance wanghong platform and creator viability through a near frictionless ability to engage in social tipping and social commerce.作者: Indolent 時間: 2025-3-25 09:14 作者: 含糊其辭 時間: 2025-3-25 15:23 作者: CARE 時間: 2025-3-25 15:52 作者: 極力證明 時間: 2025-3-25 23:14
Culture, to SME genre. The “unlikely” aesthetics and their inherent sociality contribute to the authenticity of wanghong culture, serving as “l(fā)ight-hearted resistance” to regimented, stratified, and competitive conditions of everyday life in China.作者: obsolete 時間: 2025-3-26 03:40 作者: 壯觀的游行 時間: 2025-3-26 07:00
Global Wanghong,possibility of a global creator culture that transcends national borders, geography, and cultural differences. It is the wanghong industry, having produced a successful proof of concept for Chinese cultural going out, that now sits at the leading edge of concerns for the future prospects of globalizing popular culture.作者: Granular 時間: 2025-3-26 11:54
2730-9282 a entertainment, driven by platforms like YouTube, Facebook, Instagram, and Twitch. As evidenced by the backlash to TikTok, the threat of competition from global wanghong signals advancing platform nationalism..978-3-030-65378-1978-3-030-65376-7Series ISSN 2730-9282 Series E-ISSN 2730-9290 作者: ACE-inhibitor 時間: 2025-3-26 13:00
der horizontale Achse um einen beliebigen Winkel y in der einen oder anderen Richtung dreht und eine zweite Aufnahme herstellt. Bei dieser zweiten Durchstrahlung ergeben sich wieder Isochromaten, die als zweite Isochromatenschar auf dem photographischen Abbild des Modells eingetragen wird.作者: 赤字 時間: 2025-3-26 18:59 作者: invert 時間: 2025-3-26 21:27 作者: 灰心喪氣 時間: 2025-3-27 02:00
David Craig,Jian Lin,Stuart Cunninghamerkflu?-Algorithmus (Out of Kilter-Methode) und Branch-and-Bound. Da? aber auch heuristische Verfahren zweckm??ig und erfolgreich eingesetzt werden k?nnen, zeig978-3-642-87908-1978-3-642-87907-4Series ISSN 0078-3390 作者: 無聊點好 時間: 2025-3-27 08:42 作者: 喧鬧 時間: 2025-3-27 09:38
David Craig,Jian Lin,Stuart Cunningham sonst bei der Einpressung des Pfaffens der Werkstoff seitlich verdr?ngt wird und keine gute Auspressung hinterl??t. Im folgenden werden einzelne Pre?beispiele gezeigt, nach denen Werkzeugaüsführungen in ?hnlicher Art vorgenommen werden k?nnen.作者: multiply 時間: 2025-3-27 14:19 作者: myriad 時間: 2025-3-27 18:51 作者: Bombast 時間: 2025-3-28 00:49
David Craig,Jian Lin,Stuart Cunninghamlaufen. L?ngere Streifenvorschübe haben nun einmal gr??eren Zeitverbrauch als kürzere, und deshalb ist man bei ersteren gen?tigt, die Presse nach jeder Vorschubbewegung einzurücken. Um das zu verhindern, ist beim Schneiden eine fortlaufende Streifenbewegung anzustreben, die aber nur dann gew?hrleist作者: 石墨 時間: 2025-3-28 03:48
David Craig,Jian Lin,Stuart Cunninghamrmten Zustand sinkt der notwendige Druck auf den Rohling. Eine einwandfreie Auspressung des Teils ist dann zu erwarten, wenn w?hrend des Pre?vorganges ein Schub auftritt. Dies wird dadurch erreicht, da? man an der Stirnseite eckiger Stempel vier schr?ge Fl?chen, nach au?en etwa 0,2 mm ansteigend, od作者: 貧困 時間: 2025-3-28 08:08 作者: 租約 時間: 2025-3-28 11:06
David Craig,Jian Lin,Stuart Cunninghamhung auf diesem Gebiet m?chtig und mit guten Resultaten vorangetrieben wird, sind andererseits die erfolgreichen Anwendungen auf praktische Probleme noch nicht überaus zahlreich. Welches sind die Gründe für diesen Rückstand der praktischen Anwendung? Das Studium der vier Teile des Buches soll zeigen作者: outset 時間: 2025-3-28 17:56
Palgrave Studies in Globalization, Culture and Societyhttp://image.papertrans.cn/w/image/1020443.jpg作者: 催眠藥 時間: 2025-3-28 22:08 作者: 售穴 時間: 2025-3-29 02:09
David Craig,Jian Lin,Stuart CunninghamExplores how China has built an alternative online ecosystem based around state-based intervention while nurturing the growth of their own platforms in a parallel online universe to that of the West.U作者: Engaged 時間: 2025-3-29 04:03
978-3-030-65378-1The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: stratum-corneum 時間: 2025-3-29 09:47 作者: Fibroid 時間: 2025-3-29 11:39 作者: Obscure 時間: 2025-3-29 18:42
