作者: 可耕種 時(shí)間: 2025-3-21 22:39
Biographische Datenausführte und dabei z.B. den lichtelektrischen Effekt n?her analysierte. Die Schrift, mit der er sich 1916 in Tübingen habilitierte, hatte wieder die Messung der Konstanten des Stefan-Boltzmannschen Strahlungsgesetzes (wie die Doktorarbeit!) zum Inhalt. 1917 wechselte Gerlach an die Universit?t G?tt作者: EWE 時(shí)間: 2025-3-22 01:00
Untersuchungen über radioaktive Regenmm Luftweg hinzugefügt wird, ?ndert die Impulszahl nicht. 4 mm Al nimmt sie bis auf wenige Prozent fort. Die Apparatur wird mit Kalium 40 in Mikrocurie (.C) geeicht und laufend kontrolliert. Ein Teil der Rückst?nde wurde chemisch getrennt.作者: Myelin 時(shí)間: 2025-3-22 07:58
Untersuchungen über radioaktive Regenmm Luftweg hinzugefügt wird, ?ndert die Impulszahl nicht. 4 mm Al nimmt sie bis auf wenige Prozent fort. Die Apparatur wird mit Kalium 40 in Mikrocurie (.C) geeicht und laufend kontrolliert. Ein Teil der Rückst?nde wurde chemisch getrennt.作者: 先鋒派 時(shí)間: 2025-3-22 10:06 作者: 防銹 時(shí)間: 2025-3-22 15:18 作者: AWE 時(shí)間: 2025-3-22 19:50
über das Licht der Studenten zu der Denkweise, weiche sich in dem von ihrn und ihnen gew?hlten Aufgabenbereich bew?hrt hat Da? hierdurch etwa der Geist nur, wohl dressiert, in spanische Stiefeln eingeschnürt, da? er bed?chtiger so fortan hinschleiche die Gedankenbahn“ — dies ist um so sicherer vermieden, je akttv作者: LIEN 時(shí)間: 2025-3-23 00:50
über das Licht der Studenten zu der Denkweise, weiche sich in dem von ihrn und ihnen gew?hlten Aufgabenbereich bew?hrt hat Da? hierdurch etwa der Geist nur, wohl dressiert, in spanische Stiefeln eingeschnürt, da? er bed?chtiger so fortan hinschleiche die Gedankenbahn“ — dies ist um so sicherer vermieden, je akttv作者: 踉蹌 時(shí)間: 2025-3-23 02:03 作者: 色情 時(shí)間: 2025-3-23 06:53 作者: GULLY 時(shí)間: 2025-3-23 12:41
Physik Des T?glichen Lebens des Transzendenten dauernd verschob, hat sie auch eine neue Stellung zu den alten philosophischen Problemen — wie Raum und Zeit, Ursache und Wirkung — und neuartige philosophische Fragen gebracht; und heute verlangen die von der Physik dem Menschen in die Hand gegebenen technischen M?glichkeiten et作者: IOTA 時(shí)間: 2025-3-23 15:53 作者: laparoscopy 時(shí)間: 2025-3-23 18:34 作者: buoyant 時(shí)間: 2025-3-24 01:49 作者: 寬大 時(shí)間: 2025-3-24 05:14
eterogeneous and composite set of videogame elements in terms of how players interpret unstable signifiers. This includes narrative, which can be rigorously defined in terms of its synchronizing effect on a game’s performative multiplicity.作者: Erythropoietin 時(shí)間: 2025-3-24 08:59 作者: interior 時(shí)間: 2025-3-24 13:32 作者: Deject 時(shí)間: 2025-3-24 17:42
Walther Gerlach,Otto Sterneeds of students. At stake is the viability of performing arts programs to continue to serve students in their pursuit of a liberal arts education.978-3-030-10290-6978-3-319-72944-2Series ISSN 2946-5915 Series E-ISSN 2946-5923 作者: Missile 時(shí)間: 2025-3-24 20:52 作者: ACME 時(shí)間: 2025-3-25 01:07
Walther Gerlach to resist analysis … Perhaps the term [“economy”] seems more basic because it is still thought to refer to a material substrate, a realm with an existence prior to and separate from its representations, and thus to stand in opposition to more discursive constructs of social theory” (1998; see also Mitchell 2002, 2005a).作者: Detoxification 時(shí)間: 2025-3-25 05:22 作者: 矛盾 時(shí)間: 2025-3-25 09:28
must attend to, and a number of dimensions entering into its conceptualisation. We introduce our proposal of a framework for complex thinking grounded in a relational perspective and in the following features: differentiation, integration/interconnectedness, recursiveness and emergence.作者: 金桌活畫面 時(shí)間: 2025-3-25 12:08 作者: 半球 時(shí)間: 2025-3-25 17:03 作者: VOC 時(shí)間: 2025-3-25 23:22
Walther Gerlachcs, economics, popular culture, and performance in Argentina’s modernization period, the book uncovers largely overlooked articulations of popular-classidentities and desires for greater inclusion that would drive social and political struggles to this day..978-3-030-06494-5978-3-319-92697-1Series ISSN 1554-4028 Series E-ISSN 2634-520X 作者: parallelism 時(shí)間: 2025-3-26 03:00 作者: 不利 時(shí)間: 2025-3-26 06:25 作者: Badger 時(shí)間: 2025-3-26 09:03
Hans-Reinhard Bachmann,Helmut Rechenbergiver that information as super-sized spectacle. The war would be imaged through multiple screens, from multiple angles, and with careful attention to cinematography. To anchor this maze of screens, Allison added one final touch: a soft-focus, borderless map of the world extending like wallpaper across an upstage flat.作者: 尖酸一點(diǎn) 時(shí)間: 2025-3-26 12:57
Walther Gerlachnces analysed in the book range from the theatrical to the everyday, from the historical to the contemporary, from low-latitude events in interior spaces to embodied encounters with the frozen environment..978-3-030-47390-7978-3-030-47388-4Series ISSN 2947-5562 Series E-ISSN 2947-5570 作者: 令人不快 時(shí)間: 2025-3-26 17:09
ctical tasks of the courtroom, generates a more complete theory of judicial legitimacy which includes the manner in which judicial officers present themselves and communicate their decisions in court..978-1-137-52159-0Series ISSN 2947-9274 Series E-ISSN 2947-9282 作者: Ejaculate 時(shí)間: 2025-3-26 23:43 作者: Mortar 時(shí)間: 2025-3-27 03:25
Hans-Reinhard Bachmann,Helmut Rechenbergiver improved economic security for Sinhala singers, the book also offers policymakers recommendations on how to supplement current national copyright law and the PRR in order to provide a secure economic posit978-981-13-6668-0作者: BOON 時(shí)間: 2025-3-27 08:15
Walther Gerlach,Otto Sternh mastectomies as victims. The chapter argues that the “intellectual body,” while present in ., becomes active in . as it resists cultural inscription by refusing the prosthesis that doctors, nurses, and other breast cancer patients encourage her to wear.作者: 座右銘 時(shí)間: 2025-3-27 11:31 作者: 絕食 時(shí)間: 2025-3-27 15:59 作者: 返老還童 時(shí)間: 2025-3-27 21:46
Walther Gerlachced (the music retail industry, radio and television). Authenticity, however it is experienced or felt, is often seen to reside in a space outside of these forms, either in the music itself, in the perception of the artist(s) responsible for its production or in the experience of perceiving it (the live arena, for example).作者: Gingivitis 時(shí)間: 2025-3-27 22:33
rnationalelections, and when conflicts and natural disasters have displaced millions. Global struggles over immigration, sanctuary, refugee status and migrant labor make the stakes of home and homelessness ever978-3-030-01581-7作者: facilitate 時(shí)間: 2025-3-28 05:09 作者: 上坡 時(shí)間: 2025-3-28 09:29
Walther Gerlachatch, we are bystanders to ómijewski’s desire to incite a performance of memory, and while that performance misfires, we nonetheless become part of his anticipation that the ‘Real’ will erupt and touch us with its feeling.作者: Harass 時(shí)間: 2025-3-28 13:25 作者: inconceivable 時(shí)間: 2025-3-28 14:36 作者: 邪惡的你 時(shí)間: 2025-3-28 21:14 作者: Spangle 時(shí)間: 2025-3-29 00:34 作者: 不幸的人 時(shí)間: 2025-3-29 05:25 作者: blackout 時(shí)間: 2025-3-29 08:21
Hans-Reinhard Bachmann,Helmut Rechenbergc evil practices. In addition to literature, the book considers examples of villainy in film, TV and media, revealing that performance, performative control and maneuverability are the common characteristics of villains across the different literary and filmic genres and eras studied in the volume..978-3-030-76057-1978-3-030-76055-7作者: expeditious 時(shí)間: 2025-3-29 12:21 作者: 使增至最大 時(shí)間: 2025-3-29 15:57 作者: Chameleon 時(shí)間: 2025-3-29 20:46
Walther Gerlachry visual arts and applying them to the experience of theatrical time, Shakespeare positions the audience in the subject position of the fool, enabling them to understand what fools are not only by watching them on stage, but also by undergoing the experience of foolishness themselves.作者: Detonate 時(shí)間: 2025-3-30 01:15
Walther Gerlach then to London, now I’m here and hope to go to New York next fall. I’m an artist in exile, a theater maker who left his country to find a new home in a different land!” The boy was excited – we had found something in common. I smiled too: “No, I think you’re your own project, the theater of nomads …”作者: flourish 時(shí)間: 2025-3-30 06:01 作者: 畫布 時(shí)間: 2025-3-30 11:40
Book 1989ch nicht vollst?ndig katalogisierter Korrespondenz bringt. Dieser Band wird sowohl dem Fachhistoriker wie dem an der modernen Physik interessierten Leser einen guten Einblick in das Leben und Werk Walther Gerlachs geben.作者: Popcorn 時(shí)間: 2025-3-30 13:45 作者: 不舒服 時(shí)間: 2025-3-30 19:54
hronic or synchronic effects by acting on those signifiers. Videogames make use of computers’ capabilities to present a very large set of these signifiers and thus generate highly complex forms of temporal experience. Because neither diachrony (exemplified by player performance) nor synchrony (compu作者: Buttress 時(shí)間: 2025-3-30 21:41 作者: 考得 時(shí)間: 2025-3-31 04:27
Hans-Reinhard Bachmann,Helmut Rechenberg examples.Considers the cultural significance of evil.Performativity of Villainy and Evil in Anglophone Literature and Media. studies the performative nature of evil characters, acts and emotions across intersecting genres, disciplines and historical eras. This collection brings together scholars an作者: Adenoma 時(shí)間: 2025-3-31 05:24
?t.Interdisziplin?r und intermedial erforscht und dargestellDie Bedeutung von Popul?ren Kulturen sowie von Popkulturen kann nicht ohne einen Bezug auf Performativit?t und Medialit?t begriffen werden. Mit diesem Bezug bilden sich zugleich Kulturen des Performativen und Medialen heraus. Dieses Thema i作者: FID 時(shí)間: 2025-3-31 10:23 作者: 低三下四之人 時(shí)間: 2025-3-31 13:40
January 2011. It began when the 300 men — all asylum seekers and economic migrants — embarked on a hunger strike in order to pressurize the Greek government into paying attention to their demands for legal status. I examine this event as a means of practising resistance and as a spectacle that draw作者: magenta 時(shí)間: 2025-3-31 21:36 作者: Patrimony 時(shí)間: 2025-3-31 22:27
Hans-Reinhard Bachmann,Helmut Rechenberg, on interaction and exchange. A dead or lifeless arrangement (taxis) of skin (derma) seems the furthest thing from the liveliness/liveness of theatre and theatrical languages. Yet, as theatre scholar/director Herbert Blau has famously written, the theatre’s power is driven by the fact that the acto作者: Digest 時(shí)間: 2025-4-1 02:04 作者: 宴會(huì) 時(shí)間: 2025-4-1 09:56
Walther Gerlach,Otto Sterne dance type, its cultural origins and artistic purpose: a ballet dancer’s use of pointe work and extension creates a sense of etherealism on stage, while an Afro-Caribbean dancer’s low centre of gravity and rhythmic foot stamping highlights the connection with the earth and story telling. Because o作者: 前兆 時(shí)間: 2025-4-1 11:32 作者: 符合規(guī)定 時(shí)間: 2025-4-1 14:40 作者: 稱贊 時(shí)間: 2025-4-1 20:02 作者: 有幫助 時(shí)間: 2025-4-1 22:43
Walther Gerlachglobal economy is often said to bring culture into a more direct relation with the economy. A globalizing economy, it is often argued, gives new prominence to the “cultural” industries, to an economy of signs and images, or to a “culturalization” of economic space and process. On the other hand, the作者: HACK 時(shí)間: 2025-4-2 05:02 作者: 匍匐前進(jìn) 時(shí)間: 2025-4-2 08:35
Walther Gerlach (1. 1) at the death of this player aged ‘scarse thirteen’ (1. 9), Jonson fixed Pavy in performance history as a skilled child who acted the parts of old men so ‘truely’ that the ‘Parcae’, or fates, ‘thought him one’ (11. 15–16). Indeed, the poem has served as a source of information for theatre his作者: 波動(dòng) 時(shí)間: 2025-4-2 12:18
Walther Gerlachlitics, Ford rode to victory on a populist Tea Party-style platform promising small government, tight spending and tax cuts.. Setting the tone for a new era of municipal politics — one that has placed a combative mayor at the centre of highly theatrical and seemingly endless public scandals — Ford i作者: 使隔離 時(shí)間: 2025-4-2 16:13 作者: 合唱隊(duì) 時(shí)間: 2025-4-2 19:42 作者: Repatriate 時(shí)間: 2025-4-3 01:11 作者: Myosin 時(shí)間: 2025-4-3 07:09 作者: 遠(yuǎn)足 時(shí)間: 2025-4-3 09:21
nts a range of interdisciplinary topics and methodologies.DeThis anthology explores how theatre and performance use home as the prism through which we reconcile shifts in national, cultural, and personal identity. Whether examining parlor dramas and kitchen sink realism, site-specific theatre, trave作者: relieve 時(shí)間: 2025-4-3 13:39
H. Rechenbergter and Phillip to ‘Unto yone castell that is you agayne, / Gois with gud harte and tarie noght’ (U.15–16).. Christ’s reference to the castle in the background suggests the concurrence of setting and site. This eliding of the difference echoes the approach to landscape that Mike Pearson borrows from
