標(biāo)題: Titlebook: W. B. Yeats and the Creation of a Tragic Universe; Maeve Good Book 1987 Maeve Good 1987 bibliography.dance.death.landscape.play.tragedy.Wi [打印本頁] 作者: PLY 時(shí)間: 2025-3-21 18:36
書目名稱W. B. Yeats and the Creation of a Tragic Universe影響因子(影響力)
書目名稱W. B. Yeats and the Creation of a Tragic Universe影響因子(影響力)學(xué)科排名
書目名稱W. B. Yeats and the Creation of a Tragic Universe網(wǎng)絡(luò)公開度
書目名稱W. B. Yeats and the Creation of a Tragic Universe網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱W. B. Yeats and the Creation of a Tragic Universe被引頻次
書目名稱W. B. Yeats and the Creation of a Tragic Universe被引頻次學(xué)科排名
書目名稱W. B. Yeats and the Creation of a Tragic Universe年度引用
書目名稱W. B. Yeats and the Creation of a Tragic Universe年度引用學(xué)科排名
書目名稱W. B. Yeats and the Creation of a Tragic Universe讀者反饋
書目名稱W. B. Yeats and the Creation of a Tragic Universe讀者反饋學(xué)科排名
作者: 比目魚 時(shí)間: 2025-3-21 21:50
Macmillan Studies in Anglo-Irish Literaturehttp://image.papertrans.cn/w/image/1020012.jpg作者: 草率女 時(shí)間: 2025-3-22 00:24
https://doi.org/10.1007/978-1-349-08246-9bibliography; dance; death; landscape; play; tragedy; William Butler Yeats; British and Irish Literature作者: bisphosphonate 時(shí)間: 2025-3-22 08:20
Introduction,of such a landscape and I argue that this landscape and the world system behind it are conceived as tragic. My study explores Yeats’s dance plays, the material which culminates in . and Cuchulain, the hero who dominates Yeats’s world.作者: effrontery 時(shí)間: 2025-3-22 11:51 作者: 歪曲道理 時(shí)間: 2025-3-22 13:56
The Landscape of Tragedy: Three Dance Plays,y be argued, Yeats’s hero loses stature, power and, significantly, accessibility to the audience. The new structure of presentation, which appeals to the ‘mind’s eye’ of the audience, may be seen as counterproductive.作者: ORBIT 時(shí)間: 2025-3-22 18:03
A Tragic Universe: The Framework of ,,tention to ., in which the idea of apocalypse dominates. I argue that this vision, revelation or apocalypse is a tragic one, and my aim in this chapter is to show how Yeats’s system provides a framework or world-picture in which tragedy is inevitable, is an expression of reality itself.作者: REIGN 時(shí)間: 2025-3-22 23:36 作者: 高腳酒杯 時(shí)間: 2025-3-23 04:51
The Landscape of Tragedy: Three Dance Plays,y be argued, Yeats’s hero loses stature, power and, significantly, accessibility to the audience. The new structure of presentation, which appeals to the ‘mind’s eye’ of the audience, may be seen as counterproductive.作者: 帶來 時(shí)間: 2025-3-23 06:38 作者: 殺蟲劑 時(shí)間: 2025-3-23 10:59 作者: nautical 時(shí)間: 2025-3-23 15:00
fügung und sind wegen ihres hohen Wasser-und Aschengehaltes nur in Zeiten gro?er Brennstoffknappheit absetzbar. Die Eigenverwertung im Betrieb verteuert sich durch die schwierige Handhabung beim Transport und die kostspieligen Anlagen, die dazu notwendig sind. Eine Aufarbeitung der Schl?mme mit den 作者: 泥土謙卑 時(shí)間: 2025-3-23 18:12 作者: cardiovascular 時(shí)間: 2025-3-23 23:31
Maeve Goodcht in seiner Muttersprache, sondern in der Sprache, in der die in seinen Lehrveranstaltungen behandelten Werke geschrieben wurden: in seinem Falle also auf franz?sisch. Zumindest damals war das in der amerikanischen Romanistik Sitte: nach dem p?dagogisch klugen Prinzip, da? den Studenten der Zugang作者: laxative 時(shí)間: 2025-3-24 02:24 作者: 凹槽 時(shí)間: 2025-3-24 09:30 作者: galley 時(shí)間: 2025-3-24 14:30
Maeve Goodg es dabei vor allem um die kritische Selbstreflexion der eigenen Rolle (vgl. z.?B. Amann & Kolland 2008: 22; Henkel 2016: 233). . sollten mithilfe der Interviews Wissensbest?nde zum Rollenverst?ndnis von wissenschaftlichen Politikberater:innen identifiziert werden.作者: lanugo 時(shí)間: 2025-3-24 15:53
Maeve Goodndlichen. Als . betrachten wir Bedingungen des weiteren sozialen und r?umlichen Umfeldes von Jugendlichen, die erst dann zu Ressourcen werden, wenn sie von Jugendlichen angeeignet und genutzt werden: das sind vor allem R?ume, die sich für verschiedene Zwecke nutzen lassen, Angebote und Infrastruktur作者: 外表讀作 時(shí)間: 2025-3-24 22:22 作者: 小步走路 時(shí)間: 2025-3-25 01:39
l wieder in Betrieb genommen werden k?nne und auf welche Weise diese Anlage wieder nutzbringend in den Produktionsproze? einzugliedern w?re. In der damaligen Zeit der wirtschaftlichen Notlage, der Demontage und der auBerordentlichen Brennstoffknappheit mit den bis heute fortbestehenden hohen Kohlenp作者: 芳香一點(diǎn) 時(shí)間: 2025-3-25 05:42 作者: 健忘癥 時(shí)間: 2025-3-25 11:02 作者: 戲法 時(shí)間: 2025-3-25 13:43
die Anforderungen an den baulichen W?rmeschutz deutlich versch?rft. Stand bislang die Bestimmung von k-Werten von Bauteilen im Vordergrund, so rückt mit der Erstellung ganzheitlicher W?rmebilanzen ein v?llig neues Nachweisverfahren an deren Stelle. Erstmals werden neben W?rmeverlusten (Transmission作者: 柱廊 時(shí)間: 2025-3-25 16:27 作者: Bmd955 時(shí)間: 2025-3-26 00:00 作者: 倫理學(xué) 時(shí)間: 2025-3-26 03:56 作者: 鴿子 時(shí)間: 2025-3-26 06:27 作者: 暴露他抗議 時(shí)間: 2025-3-26 08:36
Introduction,of such a landscape and I argue that this landscape and the world system behind it are conceived as tragic. My study explores Yeats’s dance plays, the material which culminates in . and Cuchulain, the hero who dominates Yeats’s world.作者: Coma704 時(shí)間: 2025-3-26 16:20
Cuchulain and the Sidhe: Vision and Tragic Encounter,s body has modern woman borne’ (., p. 705). He is finally synonymous with the Irish nation as its . or ideal self. Cuchulain is an obssession with Yeats from the close of the nineteenth century and he survives to the end as the heroic archetype. Yeats’s celebration of the heroic includes Swift, Tone作者: EXCEL 時(shí)間: 2025-3-26 18:45
The Landscape of Tragedy: Three Dance Plays,eading his hero towards revelation. Cuchulain moves from an abundance of life and gesture into a place of emptiness, a suspension in the light of a judgement day, a waste land. Such transformation is achieved in the tragic moment, when the everyday world is left behind. This chapter explores three p作者: adjacent 時(shí)間: 2025-3-27 00:14
A Tragic Universe: The Framework of ,,e supernatural, appearing as the Sidhe, reveals the beautiful and terrible figure of the Muse, the anti-self, the Daimon, a force hostile or indifferent to man, yet essential to his moment of truth and tragic recognition. In these plays we saw how Yeats creates a landscape which echoes and embodies 作者: Indict 時(shí)間: 2025-3-27 02:14
Four Plays and the Problem of Evil,ision of Evil’ implies vision, the apocalypse which I attempted to define in the last chapter, a revelation of what . ‘really and unchangeably’ (., p. 116). The question of evil manifests itself in two forms in Yeats’s writings. First, Yeats’s cyclical system, his rejection of the absolute of Christ作者: 單獨(dú) 時(shí)間: 2025-3-27 07:04 作者: 頭盔 時(shí)間: 2025-3-27 11:37
Introduction,of such a landscape and I argue that this landscape and the world system behind it are conceived as tragic. My study explores Yeats’s dance plays, the material which culminates in . and Cuchulain, the hero who dominates Yeats’s world.作者: Lumbar-Spine 時(shí)間: 2025-3-27 16:28 作者: thwart 時(shí)間: 2025-3-27 19:45
The Landscape of Tragedy: Three Dance Plays,eading his hero towards revelation. Cuchulain moves from an abundance of life and gesture into a place of emptiness, a suspension in the light of a judgement day, a waste land. Such transformation is achieved in the tragic moment, when the everyday world is left behind. This chapter explores three p作者: 記憶法 時(shí)間: 2025-3-27 23:55 作者: intention 時(shí)間: 2025-3-28 06:02 作者: 內(nèi)閣 時(shí)間: 2025-3-28 10:04 作者: Additive 時(shí)間: 2025-3-28 10:42 作者: Dictation 時(shí)間: 2025-3-28 16:44 作者: Irrepressible 時(shí)間: 2025-3-28 21:16
Cuchulain and the Sidhe: Vision and Tragic Encounter,, Parnell and, to an extent, Pearse; but it is Swift and Cuchulain who are most clearly and passionately delineated, Swift (discussed in Chapter 4) representative of passionate intellectual integrity, Cuchulain of heroic strength.作者: exhilaration 時(shí)間: 2025-3-29 01:00
Cuchulain and the Sidhe: Vision and Tragic Encounter,, Parnell and, to an extent, Pearse; but it is Swift and Cuchulain who are most clearly and passionately delineated, Swift (discussed in Chapter 4) representative of passionate intellectual integrity, Cuchulain of heroic strength.作者: Medicare 時(shí)間: 2025-3-29 05:57
Rank Level Fusion of Multimodal Biometrics Based on Cross-Entropy Monte Carlo Methodnd Kendall’s tau distances. Superiority of the proposed CE method based on above two distance measures over several existing rank level and score level fusion schemes is achieved on two different datasets.作者: 受人支配 時(shí)間: 2025-3-29 09:02
R. Nazl? Somel,Arnd-Michael Nohlal in living individuals, sometimes by as much 2–3 yr either side, or at best, 12 mo, even by combined methods. The physician should use all the available evidence, including multiple maturity indicators, and must approach each case with caution, because the poor correlation between maturity and chr作者: SSRIS 時(shí)間: 2025-3-29 14:46
Kelly Frailing,Dee Wood Harper profiles, essential nutrients, antioxidants, and electrolytes, and are anti-inflammatory compared with Western diets. Meta-analyses estimate that healthy dietary patterns are associated with a significantly decreased CHD risk by 20–33%, while Western-type patterns are associated with an increased C作者: ZEST 時(shí)間: 2025-3-29 17:08
Safety Assessment of Genetically Modified Rice and Potatoes with Soybean Glycinin,e of biotechnology-derived foods, although some, i.e. not all, of the results were obtained under insufficient experimental conditions and/or were overestimated, as reported by Ewen and Pusztai (1999) in the case of the effect of GM potatoes on the rat immune system.作者: vasculitis 時(shí)間: 2025-3-29 22:17
Challenges of Christian Communication and BroadcastingMonologue or Dialogu作者: implore 時(shí)間: 2025-3-30 00:59
Textbook 2010he contributions to this timely and comprehensive volume do just that. This volume incorporates a broad chronological and geographical range of Palaeolithic material from the Lower to Upper Palaeolithic. The focus of this volume is to provide an analysis of Palaeolithic technologies from a quantitat作者: 瑪瑙 時(shí)間: 2025-3-30 07:31