標(biāo)題: Titlebook: 3D Cinema; Optical Illusions an Miriam Ross Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2015 3D Cinema.Stereos [打印本頁(yè)] 作者: 生手 時(shí)間: 2025-3-21 16:19
書(shū)目名稱(chēng)3D Cinema影響因子(影響力)
作者: Ovulation 時(shí)間: 2025-3-21 23:36
Bodies in Motion,rvices in most fields of practice..Doing Psychology Critically: .§ translates critical psychology theory into practice.§ applies to most fields of applied psychology.§ is written in an accessible style .§ inclu作者: 可憎 時(shí)間: 2025-3-22 01:53 作者: Generosity 時(shí)間: 2025-3-22 05:11
Arresting Forms,legung und Deutung sind allerdings weder eine geisteswissenschaftliche noch eine soziologische Erfindung, sondern geh?ren als von früh an gelernte F?higkeiten und Fertigkeiten zu unserem allt?glichen Gesch?ft. Sie durchziehen und strukturieren menschliches Denken und Handeln und machen so die uns um作者: Diatribe 時(shí)間: 2025-3-22 10:25
Conclusion,y become anchored by ancillary policy-relevant knowledge that bridges testimony with theory. In managing to be evocative of both risk and methods, and policy and praxis, this chapter lends itself to giving readers a chance to engage, directly, with .作者: groggy 時(shí)間: 2025-3-22 13:26
Back Matterndlungsprozesse soziale Realit?t, die sich auf beiden Seiten in Selbstverst?ndlichkeiten niederschl?gt. Hierbei ist von permanenten Ver?nderungen auszugehen, weil sich sowohl die sozialen Probleme als auch ihre Bearbeitungsstrategien wandeln k?nnen. Auch wenn davon auszugehen ist, dass sich bestimmt作者: 遺忘 時(shí)間: 2025-3-22 19:48
Advances in Dynamic Games and Applicationsf distance, depth and solidity.. While stereoscopic images, be they from the stereoscope, cinema screen, television set or computer monitor, do not fully envelop or surround their viewer, by no means are they at a distance in the same way that flat (2D) images are. I do not use the term ‘flat’ to su作者: 人工制品 時(shí)間: 2025-3-23 00:59
Parallel Algorithms for the Isaacs Equationdies create affective intensity. In a similar vein is one of the most widely used texts, and most useful for this study of 3D cinema: Laura U. Marks’ . (2000). She examines the way haptic visuality is produced by a specific mode of cinema which, in her book, she identifies as intercultural cinema: f作者: Prologue 時(shí)間: 2025-3-23 01:39
Lina Mallozzi,Jacqueline Morganrmat such as David Brewster and John F. Mascher went to great pains to make the photographic aperture and the distance between cameras replicate the biological function of the eyes (Silverman, 1993: 741; Pietrobruno, 2011). When stereoscopic moving images were developed in the twentieth century, rev作者: 碎石 時(shí)間: 2025-3-23 08:07 作者: genuine 時(shí)間: 2025-3-23 13:20 作者: Hemiparesis 時(shí)間: 2025-3-23 15:23 作者: 孤獨(dú)無(wú)助 時(shí)間: 2025-3-23 20:24
Emiliano Cristiani,Maurizio Falconee is no one type of 3D film, but, rather, multiple histories of stereoscopic moving images that reach back to the nineteenth century. Although the popular press often prefers a straightforward account of 3D cinema that develops through a number of boom and bust periods in the US, there is a global s作者: FOLD 時(shí)間: 2025-3-23 23:02
Hyper-Haptic Visuality,blems are about the family and economic security, as well as the existential choices we customarily associate with the residents of developed societies. Through the anthropologist’s art of ethnography and cultural analysis, the book shows the way ordinary Malaysians manage the contingencies, the cha作者: 中古 時(shí)間: 2025-3-24 02:44
Depth and Emergence Construction,cessful in cutting costs or improving productivity and thoseThis volume contains a collection of papers by economists which examine the various strategies for cutting costs and improving productivity in higher education in the United States. The dramatic increase in the cost of attending most colleg作者: pericardium 時(shí)間: 2025-3-24 09:38
Arresting Forms,Wirkungen urs?chlich erkl?ren will“.,wer darauf zielt, solches Handeln als sinnhaft zu beschreiben und in seinen Formen und seiner Materialit?t zu rekonstruieren, stellt in der empirischen Arbeit schnell fest, dass sich sozialer Sinn weder einfach ausz?hlen noch mittels eines inhaltsanalytischen Kat作者: 小故事 時(shí)間: 2025-3-24 14:20 作者: PHAG 時(shí)間: 2025-3-24 18:12 作者: syncope 時(shí)間: 2025-3-24 22:21 作者: 水土 時(shí)間: 2025-3-25 03:14 作者: stroke 時(shí)間: 2025-3-25 07:10 作者: 搖擺 時(shí)間: 2025-3-25 08:07
Lina Mallozzi,Jacqueline Morganum. While depth construction in positive parallax space plays an important role in the construction of tactile visual fields, the seeming manifestation of objects in the viewer’s physical space draws most attention to the film’s distinct aesthetic presence. It is unsurprising, then, that discussion 作者: impaction 時(shí)間: 2025-3-25 11:50 作者: GENRE 時(shí)間: 2025-3-25 19:13 作者: Legend 時(shí)間: 2025-3-25 20:26 作者: HAUNT 時(shí)間: 2025-3-26 02:39
Emiliano Cristiani,Maurizio Falconehips produced between viewer and film in flat cinema are modified by, and contingent upon, enhanced illusions of depth and the placement of the film body within an expansive screen space. In the films discussed thus far, emphasis on live action filming (even in films with extensive CG content such a作者: Criteria 時(shí)間: 2025-3-26 04:36
Emiliano Cristiani,Maurizio Falconeic 3D field screen, it should be clear by now that stereoscopic cinema’s operation as the last type of form is unique and distinct from the other two. However, it is never in opposition to or entirely separate from the traditional flat screen and the haptic cinema screen, but, rather, overlaps with 作者: 愛(ài)了嗎 時(shí)間: 2025-3-26 11:41 作者: 輕率的你 時(shí)間: 2025-3-26 16:04 作者: 群島 時(shí)間: 2025-3-26 19:33 作者: ANNUL 時(shí)間: 2025-3-26 22:37
Advances in Dynamic Games and ApplicationsIn his discussion of stereoscopic cinema’s unique visuality, Sergei Eisenstein outlines three major modes:作者: CULP 時(shí)間: 2025-3-27 02:57
http://image.papertrans.cn/012/image/100702.jpg作者: CRAB 時(shí)間: 2025-3-27 08:47 作者: EXCEL 時(shí)間: 2025-3-27 10:06 作者: LAVA 時(shí)間: 2025-3-27 14:42
Der vielschichtige Schnittbereich von Wissenschaft und Gesellschaftchungs- und Entwicklungseinrichtungen in politischer und ?konomischer Fachsprache. Die Verfechter der ?sozialen Verantwortung der Wissenschaft“ kritisieren leidenschaftlich die technologischen Faktoren des modernen Lebens und so weiter.作者: 外觀 時(shí)間: 2025-3-27 19:02 作者: GEM 時(shí)間: 2025-3-27 22:05 作者: 等待 時(shí)間: 2025-3-28 03:21 作者: brother 時(shí)間: 2025-3-28 10:15 作者: AVERT 時(shí)間: 2025-3-28 11:44
Imaging of Trabecular Microfracture and Bone Marrow Edema and Hemorrhage978-981-15-4466-8作者: diabetes 時(shí)間: 2025-3-28 17:36 作者: 勤勉 時(shí)間: 2025-3-28 19:41
