作者: Infuriate 時(shí)間: 2025-3-21 23:35 作者: 江湖郎中 時(shí)間: 2025-3-22 00:34
Book 2013Fachtermini und Anglizismen aus. Einen ersten schnellen überblick verschafft das vorliegende Nachschlagewerk. Anhand von 222 übersichtlichen Schlüsselbegriffen werden die Grundkonzepte und -theorien des Marketings erl?utert. Die Erkl?rungen sind kompakt und verst?ndlich formuliert und bieten somit B作者: 逗留 時(shí)間: 2025-3-22 06:24
Book 2013begriffen werden die Grundkonzepte und -theorien des Marketings erl?utert. Die Erkl?rungen sind kompakt und verst?ndlich formuliert und bieten somit Basiswissen für alle, die einen schnellen Einstieg in die Marketingpraxis suchen, sich für Marketing und Markenmanagement interessieren oder ihr vorhandenes Wissen auffrischen m?chten.作者: 接合 時(shí)間: 2025-3-22 10:33
A,chiedenen L?ndern und damit Grundlagen für die Planung neuer Werke zu erhalten, wurde an Hand der in- und ausl?ndischen Statistik eine übersicht über den Elektrifizierungsgrad der verschiedenen L?nder und Erdteile zusammengestellt. Auf diese Weise gelang es, für s?mtliche Erdteile und insgesamt 65 L作者: 怕失去錢(qián) 時(shí)間: 2025-3-22 16:45
C,ry as a kind of traditional Chinese medicine to promote blood circulationand remove blood stasis. Moreover, it can also inhibit myocardial cell hypertrophy, prevent cardiacarrhythmia, and treat viral myocarditis. Danshen is clinically used for the protection of cardiac muscleand as an adjunctive the作者: Abbreviate 時(shí)間: 2025-3-22 17:49 作者: Interlocking 時(shí)間: 2025-3-23 01:11 作者: 輕率的你 時(shí)間: 2025-3-23 01:25
F,distinct styles. During the past few decades flamenco in Japan has become Japanese flamenco, because Japanese dancers and instructors apply a different sensory model in their modes of transmission from Spanish flamencos. This difference relates particularly to the quality of sound, of volume over mu作者: MAOIS 時(shí)間: 2025-3-23 09:07
,H–I,e and scholarly chapters including historical, philosophical.This book addresses the need for critical scholarship about contemporary dance practices in Ireland. Bringing together key voices from a new wave of scholarship to examine recent practice and research in the field of contemporary dance, it作者: chisel 時(shí)間: 2025-3-23 12:45
L,nning of the Easter Rising, a dress rehearsal performance of a dance play by Yeats, ., was held for a select, invited audience in the London drawing room of Lady Emerald Cunard.. On the surface, the aristocratic setting for this drawing room staging, which made it necessary for the performers to car作者: Granular 時(shí)間: 2025-3-23 15:28 作者: Root494 時(shí)間: 2025-3-23 18:35 作者: FLIT 時(shí)間: 2025-3-23 23:58 作者: 服從 時(shí)間: 2025-3-24 02:21 作者: 輕浮思想 時(shí)間: 2025-3-24 06:48 作者: Pudendal-Nerve 時(shí)間: 2025-3-24 13:26
S,. It considers how dominant attitudes towards women have affected and channelled responses to dance works into certain ways of seeing and terms of reference. Of course dance criticism does not exist in isolation; from its own nature as criticism it interacts with the forms of the dance itself. Image作者: 神刊 時(shí)間: 2025-3-24 15:20 作者: 搜集 時(shí)間: 2025-3-24 19:48 作者: ostensible 時(shí)間: 2025-3-25 02:22 作者: immunity 時(shí)間: 2025-3-25 06:48 作者: 枯萎將要 時(shí)間: 2025-3-25 10:22
C,. Danshen can inhibit the proliferation and migration of vascular smooth musclecells, protect the functionsof blood vessel endothelium, and indirectly exert its regulatory functionsthrough the inhibitory effects of the “dangerous risks” of hypertension, and its injectioncan be used for the treatment作者: 硬化 時(shí)間: 2025-3-25 14:54 作者: 附錄 時(shí)間: 2025-3-25 17:38
F,o as inaudible as possible. Japanese flamenco is foremost loud. However, whereas ‘Japamenco’ as a flamenco style can be interpreted as an act of resistance against Japanese patriarchal society, of female cosmopolitanism against male traditionalism, its learning and performance practices do accommoda作者: placebo 時(shí)間: 2025-3-25 20:31 作者: bourgeois 時(shí)間: 2025-3-26 03:10 作者: FER 時(shí)間: 2025-3-26 06:22
N,rticular Utopias and political fictions. Hence, the conclusion of this chapter considers the relationship between rave, which can be read as opening up modes of being which are not structured around traditional dualisms of mind/body, self/other, physicality/machine, and the kinds of configurations b作者: 民間傳說(shuō) 時(shí)間: 2025-3-26 10:52 作者: Insatiable 時(shí)間: 2025-3-26 15:16
P,t. Although the evolution, developments and ambiguities of a postmodern stage dance aesthetic are well documented within dance scholarship (Copeland, 1986; Banes, 1987; Briginshaw, 1988; Manning, 1988; Mackrell, 1991; Daly, 1992), the relationship between postmodern dance and postmodernism within ot作者: 嚙齒動(dòng)物 時(shí)間: 2025-3-26 20:52 作者: Conquest 時(shí)間: 2025-3-27 00:41 作者: 衍生 時(shí)間: 2025-3-27 01:07 作者: scrutiny 時(shí)間: 2025-3-27 07:54 作者: hedonic 時(shí)間: 2025-3-27 09:38
978-3-658-03384-2Springer Fachmedien Wiesbaden 2013作者: 浮雕寶石 時(shí)間: 2025-3-27 17:26 作者: 滲透 時(shí)間: 2025-3-27 20:51
